New Customer Review

I like Who a lot escpesially the first ones. Sound and album is very good. I recommend to others as well.

This album is very good and has a good sound. I like Who a lot and I recommend to others as well to listen.

Very good album. I like all of their albums and have been listening to them a lot nowadays. I recommend.

This release marks the grand, emotional finale of the 1995 Japanese tour. Performed at an absolute fever pitch, the band bids farewell to the audience with a fierce and sonically pristine set. The undeniable highlights are a crushing rendition of “Larks' Tongues in Aspic, Part II” and a ferocious “21st Century Schizoid Man.”

It's a monumental live document from The ConstruKction of Light era. This album captures the "Double Duo" lineup (Fripp, Belew, Gunn, Mastelotto) at the very start of their legendary Japanese tour in October 2000. It's a true gem for fans of the band's heavy, mathematically precise sound. Live renditions of tracks like FraKctured or the jaw-dropping The ConstruKction of Light sound significantly more organic, raw, and aggressive here than their studio counterparts. Pat Mastelotto's electronic percussion and Trey Gunn's dense Warr guitar lines construct an impenetrable wall of sound, setting the stage for the intense guitar duels between Adrian Belew and Robert Fripp. The setlist perfectly balances fierce new material with Discipline-era classics like Thela Hun Ginjeet and Frame by Frame. The soundboard quality on this Japanese edition is immaculate, capturing every single nuance of the complex polyrhythms. It is an essential listen for anyone who appreciates late-era, uncompromising industrial progressive rock.

This double CD documents the very beginning of the band’s Tokyo residency on their Fall tour. The quartet performs with high focus, unleashing surgically precise, industrial riffs. Live takes of “Into the Frying Pan” and the title track “The ConstruKction of Light” are executed with fierce digital drive. The highlight of this release is the pristine stereo separation, perfectly parsing Belew and Fripp's interlocking guitars across the channels.

The second consecutive night in Shibuya catches the quartet shedding initial performance tension and embracing experimental liberties. The core treasure of this release lies in two expansive, ominous improvisations (Improv I and Improv II), where Trey Gunn’s touch guitar weaves dense, hypnotic low-end soundscapes. The sheer crushing weight of “Larks' Tongues in Aspic (Part IV)” reaches an absolute pinnacle here, with Pat Mastelotto's electronic percussion shaking the mix.

Great and lovely show! Geetings and interacting with the audience! No MC subtitles. Many famous songs like: "As God Wills" (At God's Mercy), "Setsuna Trip", "Earth's Last Confession" and surpisingly "Justin Jive Justify" from 'Lead Princess of the Colorless World' of nyanyannya! It's a truly fun and delightful!

Sooo adorable and high quality, paint jobs are so smooth and the magnets are strong. Would highly recommend!!

Sooooo adorable I brought two of them and they both arrived in great condition and were packaged carefully, would highly recommend.

Sooo cute and I didn’t expect the pouch to be a soft velvet material but I love it, a bit smaller than I thought it would be but I still love it.

This double CD captures the band's second night at the Koseinenkin Kaikan. Compared to the previous evening, the musicians sound noticeably more aggressive and confident. The highlight is the bone-crushing performance of “THRAK” and “B'Boom,” where the stereo imaging perfectly separates Bill Bruford’s drums (left channel) from Pat Mastelotto’s (right channel). Sourced from the original DAT tape, the Japanese remastering pushes the low end to its limits, making Tony Levin’s heavy bass vibrate in the mix. A total treat for live audiophile sound purists.

This release presents the definitive audio version of one of King Crimson’s most celebrated concerts. This exact show at Nakano Sun Plaza served as the foundation for the official “Live in Japan” video release. The musical tapestry is woven flawlessly: the transition from the ferocious “Red” to the melancholic “One Time” showcases the lineup's phenomenal dynamic range. Rare live improvisations from that evening are included as a bonus.

This release captures the second night at Nakano Sun Plaza, which carries a completely different mood than the video-recorded previous night. The musicians have completely shed any stage tension, delivering a powerful set rich with free-form improvisation. “The Talking Drum” is pushed to a primal frenzy here, featuring exceptionally aggressive solos from Fripp. Sourced from the original DAT tape, the audio sounds pristine, perfectly capturing the venue's acoustics and Pat Mastelotto's intricate percussion.

This release brings the listener back to Tokyo, straight to the stage of the Hitomi Memorial Hall. The concert stands out for its pristine, almost academic venue acoustics, which forced the Double Trio lineup to perform with absolute, surgical precision. The rendition of the complex “Frame by Frame” borders on technical perfection, while the melancholic “Walking on Air” feels incredibly spacious. Sourced from the original DAT tape, the audio is masterfully balanced, capturing the full frequency range while spotlighting Tony Levin's elastic bass and Bill Bruford's crisp cymbal work. A true audiophile gem.

Gojo came in perfect condition, not was broken during the shipping. His hair is bigger than I thought, but it looks great either way. Happy getting him on pre-order when I had the chance

Sukana looks really great, nothing was broken. At first I thought his hair color has faded and different than it looked in the photo, but it was just me nothing really seeing that it was actually the same. Happy getting him!!

The packaging was great nothing came broken. Choso looks really good, I’m glad I got him on pre-order when I had the money for it!!

The album is so amazing in the cover photo it is very artistic and beautiful. And the songs are all worth listening to. Very good music!

Ariana is doing a fantastic work on the album, all the songs are amazing and good. The album is very good! Highly recommended!