CONVERSE TOKYO [CLAMP] [YUTA OKUDA] Graphic Poster (J: [Cardcaptor Sakura: Clear Card])

Order deadline: June 12, 2026 / 09:00 (Japan Time / UTC+9)

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[Machine Translation]

- Design
A collaboration project between CONVERSE TOKYO and the all-female creative collective CLAMP.
In addition to "Cardcaptor Sakura," based on artwork by artist Yuta Okuda, this collection features graphic posters from previous collaborations, including "xxxHOLiC," "Chobits," "Tsubasa: RESERVoir CHRoNiCLE," "Magic Knight Rayearth," "CLOVER," "Tokyo Babylon," and "X."
[Size] B4 size (257mm x 364mm)
A: [xxxHOLiC]
B: [Chobits]
C: [Tsubasa: RESERVoir CHRoNiCLE]
D: [Magic Knight Rayearth]
E: [CLOVER]
F: [Tokyo Babylon]
G: [X]
H: [Cardcaptor Sakura]
I: [Cardcaptor Sakura]
J: [Cardcaptor Sakura: Clear Card Arc]


- CLAMP
A creative collective consisting of four members: Kanetsuki Igarashi, Nanase Okawa, Neko, and Mokona. They made their commercial debut in 1989 with *Seiden -RG VEDA-* in the third issue of *South* (Shinshokan) . Since then, they have published works in girls', boys', and young adult magazines, including *X -X-*, *Magic Knight Rayearth*, *Cardcaptor Sakura*, *Chobits*, *Tsubasa: RESERVoir CHRoNiCLE*, and *xxxHOLiC*. For the anime series *Code Geass*, they served as the original character designer; for the *BLOOD-C* series, a collaboration between Production I.G and CLAMP, they handled series composition and screenwriting; and for their original work *Cardcaptor Sakura*, they were responsible for series composition, screenwriting, and costume design.

- Yuta Okuda
After studying fashion design in Japan and the UK, he worked as a designer for a fashion brand. Having transitioned to a career as an artist in 2016, Yuta Okuda has been actively participating in solo and group exhibitions in Japan, building his career through continuous creation and presentation. While he previously expressed himself through detailed paintings composed solely of calculated lines, in recent years he has focused on presenting works centered on "flowers" that emphasize "chance." Although the flowers, rendered in various hues, have a strong pop art aesthetic, each petal is meticulously outlined. He himself says that it doesn't matter if they don't look like flowers-and indeed, they are not flowers in the figurative sense. He explains that these works are rooted in childhood memories, which he arrived at while "salvaging" himself. Triggered by the COVID-19 pandemic, he realized that things he had taken for granted were actually special events, and driven by the desire to "express gratitude through his art," he has been creating works under the theme "with gratitude."

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