Mujikanova May 2025 Issue

[Machine Translation] [Special feature] How to train the ability to listen and sing to develop children who can understand the difference between sounds If the "ability to listen" and "ability to sing" are nurtured from the introductory period, children will be able to listen to their own piano tones, express themselves freely, and enjoy practicing. We will introduce exercises to listen to various sounds from the perspective of formations and musics, points to listen to your own performance in order to "sing on the piano," and work to connect these points to expression. Formation Musical Lesson for developing musical ears ( Misako Takada ) / 7 listening points for elaborating "blueprint of performance" ( Ryoko Kihara ) / Techniques for connecting with the instrument for "singing on the piano" ( Megumi Tsukada ) / Training for "singing on the piano" ( Megumi Tsukada ) Techniques to connect with the instrument for "singing on the piano" ( Megumi Tsukada ) [Music of the Month] KIRUMBERGER < Fanfare> ( Music Director: Mishiro Narai ) [Topics] / Interview Pascal Devaillon & Rinako Murata ( Hiroko Ueda ) It has been more than 20 years since they formed their piano duo, Pascal Devaillon and his wife, Rinako Murata. They have been working together as a piano duo for more than 20 years. We asked them about their master classes and lectures, as well as their well-received book, "Technique for Getting Along with the Piano" (Ongaku no Tomo Publishing Co., Ltd.), and their upcoming recital in May. / Report Utilizing the Appendix "Tone Comparison Card" - Lesson Using Kuhlau's "Sonatine" op.55-1 ( Reiko Yuasa ) The appendix "Tone Comparison Card" published in the January - April 2025 issue of this magazine is a teaching material that enables you to listen to the tones of the solo parts of various instruments. Ms. Reiko Yuasa, who supervised and commented on the appendix, told us how to use the cards in lessons. / Appendix Commentary "Diatonic Chord Cards" ( Masami Arikawa ) / Interview Yukine Kuroki ( Kyoko Michishita ) Yukine Kuroki is a young pianist who is attracting attention as the first Japanese to win the Dublin International Piano Competition in 2022. We interview her about her program and her intentions before her recitals in Tokyo and Kochi. Pianist and conductor Kyohei Trita, who has given "Piano Master Class for Teenagers" by Mikhail Voskresensky ( Hiroko Ueda ) and "Yokohama Minatomirai Hall Producer 2023-2025". As the culmination of his term, his former teacher, Mikhail Voskresensky (former professor at the Moscow Conservatory), gave a master class on "Piano Master Class for Teenagers" (... Other

[特集]音の違いが分かる子に育つ 聴く力・歌う力の鍛え方 導入期から「聴く力」「歌う力」を育てると、自分のピアノの音色に耳を傾け、自由に表現できるようになり、練習することが楽しくなります。そこで、フォルマシオン・ミュジカルの観点から様々な音を聴くエクササイズや、“ピアノで歌う”ために自分の演奏を聴くポイント、表現につなげるためのワークをご紹介します。 ◆音楽的な耳を育てる フォルマシオン・ミュジカルのレッスン(高田美佐子) ◆“演奏の設計図”を緻密に描く 7つの聴き方のポイント(樹原涼子) ◆“ピアノで歌う”ために 楽器とつながるテクニック(塚田めぐみ) [今月の課題曲] キルンベルガー《ファンファーレ》(選曲者:奈良井巳城) [トピックス] ◆Interview パスカル・ドゥヴァイヨン&村田理夏子(上田弘子) ピアノ・デュオを組んで20年あまりとなるパスカル・ドゥヴァイヨンと村田理夏子夫妻。マスタークラスやレクチャー、『ピアノと仲良くなれるテクニック講座』(音楽之友社刊)など著書も好評を博す二人に、5月に開催予定のリサイタルなどについてうかがいました。 ◆Report付録「楽器の音色の聴き比べカード」を活用～クーラウ《ソナチネ》op.55-1を使ったレッスン(湯浅玲子) 本誌2025年1～4月号に掲載した付録「楽器の音色の聴き比べカード」は、様々な楽器のソロ・パートの音色を聴くことができる教材です。付録の監修・解説を務めた湯浅玲子先生に、レッスンでの活用法を教えていただきました。 ◆付録解説「ダイアトニックコードカード」(ありかわ雅美) ◆Interview 黒木雪音(道下京子) 2022年のダブリン国際ピアノコンクールで日本人として初めて優勝するなど注目を集める若手ピアニストの黒木雪音さん。東京と高知でリサイタルを開催するのを前に、プログラムに込めた意図などをうかがいます。 ◆Report ミハイル・ヴォスクレセンスキー「10代のためのピアノマスタークラス」(上田弘子) 「横浜みなとみらいホール プロデューサー2023-2025」を務めたピアニストで指揮者の反田恭平さん。任期の集大成として実施された恩師ミハイル・ヴォスクレセンスキー氏(元モスクワ音楽院教授...他