Mado no Muko ni - Beyond the Window - [UHQCD]

[Machine Translation] This is the long-awaited cover album by Kanae Izutsu, who has won the Japan Professional Music Recording Award for two consecutive albums and is popular among music fans and audiophiles who are concerned about sound. This is a cover album of classic Showa-era songs, following on from "Toki no mani mani," which was highly acclaimed for its unique worldview of quietness, fragility, space, and lingering echoes in the way she sings as if she is telling a story. The album is a collection of songs sung with a quiet passion and the strength and depth that they have cultivated through their later experiences of one-shot recording and direct cutting, along with original songs written especially for this album. The members are Yuni Fujisawa (P), Hiroshi Ogawa (E.B), Hideki Isobe (C.B), and Hideo Takada (recording engineer), all of whom shared the experience. The pure and realistic sound, which Mr. Takada described as "challenging," delivers a solid world view. The master sound source is DSD 11.2Mhz/1bit, and a high quality UHQCD was used for the sound quality.

音楽ファンや音に拘るオーディオファンにも人気が高く、2作品続けて日本プロ音楽録音賞を受賞した井筒香奈江の、3年ぶり待望のカバーアルバム。語るような歌い方で、静けさや儚さ、空間や余韻など、独特な世界観が評価された『時のまにまに』から続く昭和の名曲カバーアルバム。後に一発録音やダイレクトカッティングを経験し、そこで培った強さや深さを抱き、静かなる情熱で歌い上げた昭和の名曲達に、このアルバムの為に書き下ろしたオリジナル曲を加えた作品集。メンバーは、その経験を共にしたP藤澤由ニ、E.B小川浩史、C.B磯部秀樹、そしてレコーディングエンジニアの高田英男。高田氏が「チャレンジした」と語ったピュアでリアルなサウンドが、世界観を確固たるものとして届けます。マスター音源にDSD11.2Mhz/1bitを使用し、高音質のUHQCDを使用した、音質にも拘り抜いた作品。