Jiyu no Tame ni Utao - Uta wo Tojite Yomitoku Kominken Undo no Monogatari
V.A.
CD Album

Jiyu no Tame ni Utao - Uta wo Tojite Yomitoku Kominken Undo no Monogatari

V.A.

3300yen
(3630yen Tax incl. in Japan)
US$ 20.54
Points You Earn 3% (99p)
Release Date June 14, 2026
Availability Usually ships in 3-7 days
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Product Details

Catalog No.FLR-33052
JAN/ISBN 4589605043521
Product Type CD
Number of Discs 1

Description

[Machine Translation] The Soul Cries of the Oppressed! The story of the Civil Rights Movement as read through song. This is a collection of field recordings of hymns, speeches, spirituals, and gospel songs recorded in Alabama, Georgia, Mississippi, and Tennessee in the 1960s during the civil rights movement. The collection is filled with the key songs and passionate singing of the movement, along with the raw environmental sounds of the time. The recordings include the soul-stirring songs of the SNCC Freedom Singers (1962-1966), a musical group that advocated for desegregation and funding for the movement; the Nashville Quartet, a group formed by students in Nashville, Tennessee; Dr. Martin Luther King, Jr. and the women who led the Mississippi ( Fannie Lou Hamer ( 1917-77 ), a female civic activist who led the Freedom Summer Movement in Mississippi. This is a work of great musical excellence and a valuable resource for understanding the history of African-American music culture.

Translate Description

*As it is a machine translation, the result may not provide an accurate description. Please use it only as a reference. *Not available within the China mainland region (谷歌翻译在中国大陆无法使用).

Description in Japanese

自由のために歌おう ~歌を通じて読み解く公民権運動の物語 / オムニバス

虐げられた人々の魂の叫び! 歌を通じて読み解く公民権運動の物語。本作は、公民権運動中の1960年代に、アラバマ、ジョージア、ミシシッピ、テネシーで録音された、賛美歌、演説、スピリチュアル、ゴスペル・ソングのフィールド・レコーディング集。当時の様子を伝える生々しい環境音と共に、同運動の重要なキーとなる楽曲、そして熱唱の数々が横溢します。収録は、人種差別撤廃と運動への資金援助を訴えた音楽グループ: SNCCフリーダム・シンガーズ (1962~66)、テネシー州ナッシュヴィルの学生たちによって結成されたナッシュヴィル・カルテットらの魂を揺すぶる歌唱を中心に、キング牧師、そしてミシシッピ州における〈自由の夏運動〉を牽引した女性市民活動家: ファニー・ルー・ヘイマー (1917-77)の演説など全26トラック。音楽的な素晴らしさはもとより、アフリカ系アメリカ人音楽文化の歴史を紐解く上でも、大変資料価値の高い一枚。

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