CD Album
The Neutral Plate
Museum of Plate
2800yen
(3080yen Tax incl. in Japan)
Points You Earn | 3% (84p) |
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Release Date | November 30, 2002 |
Availability | In Stock at Supplier:Usually ships in 2-4 days |
Product Details
Catalog No. | DAKKYTHM-79DA |
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JAN/ISBN | 4948722110750 |
Product Type | CD |
Number of Discs | 1 |
Credits
Description
[Machine Translation] Pianist Saiko Tsukamoto's own unit, Museum of Plate, has released a brand new album! This is the third album in total, four years after "Plactical Symphony No.5" released in 1998, with two excellent mini-albums, "Chaon" and "Zouon" in between. DSK ( Port of Notes ), Kenji Takimi, and others participated as guests/producers. The album was produced by ZAK as an engineer, and was completed as a large time-space Koshue scroll. From M1, in which the piano slowly fades in and out of the resonance of the chinaware ball, which depicts yin and yang, to M2, in which the percussion of AI, which evokes a primitive atmosphere, intersects with Yoshimi's voice, which is full of all emotions, descending and tapping the listener's shoulders and brain, from the introductory part, the listener is struck with a sense of realization and awareness that is present in this album. The real feeling and atmosphere in this album are extraordinary. The minimalist M4, a well-known version by the Kreuel Grand Orchestra, is arranged percussively, followed by Before Silence with the classical piece M5, and M6, co-produced by Kaoru Inoue, is a miraculous and imaginative piece, like flying in the night sky with aurora borealis on a sheep. It is a miraculous and imaginative polar soundscape ....... The next song is a cover of "Minas" by Milton Nascimento/Caetano Veloso, with Yoshimi's vocals and scat, DSK's chorus, and shamisen and piano, creating a world that Giles Peterson would have been amazed by. Giles Peterson would have been amazed. Then, after a high-speed nano breakin produced by Kenji Takimi, in which a single drop of water dances and becomes a stream, a river, and eventually a waterfall, we move on to "Fanfare," which immerses the listener in a hachaturian pandamonium chaos space, eventually landing on a Bach aria.
Translate Description
*As it is a machine translation, the result may not provide an accurate description. Please use it only as a reference. *Not available within the China mainland region.
Description in Japanese
The Neutral Plate / Museum of Plate
ピアニスト塚本サイコのオウン・ユニット、ミュージアム・オブ・プレートの新作が、正に"新""作"として登場!!★間に「茶音」、「像音」という2枚の秀作ミニ・アルバムを挟んで、98年リリースの「Plactical Symphony No.5」から4年を経た通算3作目にあたる本作は、ゲストのボアダムスのヨシミ、AOAのAI、井上薫(Chari Chari)、DSK(ポート・オブ・ノーツ)、瀧見憲司等がゲスト/プロデューサーとして参加。エンジニアにZAKを迎えて製作された一大時空間越絵巻としてここに完成した。陰/陽の描かれたチャイナウェア・ボールの共鳴に導かれてゆっくりとフェード・インしてくるピアノが空海に大きく弧を描くM1から、原始を感じさせるAIのパーカッションが交わるM2を経て全ての情感を孕んだヨシミの声が舞い降りながら聴くものの肩と脳をたたく導入部からして、このアルバムにある実感と気配がただならぬ事が伝わるだろう。クルーエル・グランド・オーケストラのVersionでもおなじみのミニマルなM4はパーカッシヴにアレンジされ、ビフォア・サイレンスwithクラシカルな小品M5に続くM6は、井上薫との共同プロデュースによる、正に羊に乗ってオーロラのかかる夜空を翔んでいるようなミラクルにしてイマジネティヴな極サウンドスケープ……。またもAIのパーカッションとの絡みがさえわたるM7に続くのは、ミルトン・ナシメント/カエターノ・ヴェローゾ作"Minas"のカヴァーで、ヨシミのヴォーカルとスキャット、DSKのコーラスに三味線とピアノが加わるその世界はジャイルス・ピーターソンも驚きの筆舌に尽し難い超絶宇宙を創出。そして瀧見憲司プロデュースによる、一粒の水滴が踊りながらせせらぎになり川になりしまいには瀧になる高速ナノ・ブレイキンを経て、ハチャトゥリアンなパンダモニアムカオス空間へ聴くものを没入させる"Fanfare"へと向かい、最終的にはバッハのアリアへと着地する。
Related Offer & Feature
Tracklisting
1 |
Into Psycho Atlantis
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2 |
CIRCLE I
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3 |
F
F#(The Neutral Take)
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4 |
We Live a Life(The Neutral Take)
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5 |
Restart
Restart
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6 |
SHEEPRIANFLYING
Sheeprian Flying
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7 |
PIANOYANO
Piano-Yano
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8 |
Minas
Minas
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9 |
Circle II
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10 |
Fanfare
Fanfare
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11 |
Tao
Tao
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12 |
Aria~Goldberg-Variation~
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