Pasazerka

[Machine Translation] This is the last work of director Anjay Munk, who died in a car accident at the age of 31 during the filming of this movie, despite his promise to be a leading figure of the "Polish School" alongside Wajda and Cavalerovich. His friends edited the remaining filmed material and completed the film. Although strictly speaking unfinished, the film has received high acclaim. The present scene on the passenger ship is a standard-size still, while the recollection of the camp scene is a scope-size image. 1964 Cannes Film Festival, Special Mention (for Anjay Munch); 1964 Venice International Film Festival, Italian Critics' Prize; 1964 Kinema Junpo Top Ten Best Foreign Films. Fourth place in the 1964 Kinema Junpo Best Ten Foreign Films. --Riza and her husband are on their way back to their native Germany on a luxury cruise ship after getting married in South America, when they are disturbed by a woman who comes aboard the ship in an English port. The woman looks exactly like Marta, a female prisoner with whom Riza had a special relationship during the war when she was a guard at the Auschwitz concentration camp.

About Subtitle and Audio Languages: Since most DVDs and Blu-rays available on CDJapan are produced for the Japanese market, please refer to the "Product Details" section for information on available subtitle and audio languages.

ワイダ、カヴァレロヴィチと並ぶ〈ポーランド派〉を担う逸材として期待されながら、本作撮影中、31歳の若さで交通事故死した夭折の逸材アンジェイ・ムンク監督の遺作。残された撮影済みの素材を友人たちが編集し、作品として完成させた。厳密には未完でありながら高い評価を受けている作品。現在の旅客船のシーンはスタンダード・サイズのスチール写真、回想の収容所のシーンはスコープ・サイズの映像となっている。1964年カンヌ国際映画祭 特別表彰(アンジェイ・ムンク)、1964年ヴェネツィア国際映画祭 イタリア批評家賞受賞、1964年キネマ旬報ベストテン外国映画第4位。――南米で結婚し、夫と共に豪華客船で故国ドイツに戻る途中のリザは、イギリスの港で乗船して来た女を見て心を乱す。女は、戦争中、アウシュヴィッツ強制収容所の看守だったリザが特別な関係となった女囚マルタにそっくりだったのだ・・・。