New Customer Review

Very interesting album and I like it a lot. Sound is very good. I recommend to others as well to listen.

Very good album and the only one they have. I have the vinyl also so I decided to take the SHM CD. I recommend.

This release documents the heavy, industrial edge of the Fripp-Belew-Gunn-Mastelotto quartet in Shibuya. The concert features material from “The ConstruKction of Light” executed with razor-sharp intensity. The standouts are the brutal performances of “Fractured” and “FraKctured,” showcasing blinding interplay between Fripp and Trey Gunn. The Japanese mastering handles Mastelotto's electronic percussion perfectly, preserving the intricate guitar polyphony.

This gig at the iconic Nakano Sun Plaza catches the band at the absolute peak of their 2000 tour chemistry. The musicians feel loose, leading to deeper, more ominous improvisations. The audio is incredibly dense with a robust low-end punch. The live rendition of “Larks' Tongues in Aspic: Part IV” is terrifyingly powerful. This CDs is essential for late-era Crimson enthusiasts.

This double CD captures the final Tokyo performance of the Fall 2000 tour at Nakano Sunplaza. Highly charged with end-of-residency energy, the quartet executes the industrial metal assault of “The ConstruKction of Light” and the intricate “FraKctured” with razor-sharp fury. The show stands out for its deep, ominous improvisations, spotlighting Trey Gunn’s heavy touch-guitar soundscapes. Sourced from the soundboard, the audio clarity is stellar.

I like all of King Crimson albums and this album is one of the best. Sound is very good and I recommend to others. The most jazz album.

Very good album. I like all of his albums. Sound is very good and i recommend to others as well to listen.

Very good album and I like all of Who albums. Nicely done and sound is very good. I recommend to others as well.

I like Who a lot escpesially the first ones. Sound and album is very good. I recommend to others as well.

This album is very good and has a good sound. I like Who a lot and I recommend to others as well to listen.

Very good album. I like all of their albums and have been listening to them a lot nowadays. I recommend.

This release marks the grand, emotional finale of the 1995 Japanese tour. Performed at an absolute fever pitch, the band bids farewell to the audience with a fierce and sonically pristine set. The undeniable highlights are a crushing rendition of “Larks' Tongues in Aspic, Part II” and a ferocious “21st Century Schizoid Man.”

It's a monumental live document from The ConstruKction of Light era. This album captures the "Double Duo" lineup (Fripp, Belew, Gunn, Mastelotto) at the very start of their legendary Japanese tour in October 2000. It's a true gem for fans of the band's heavy, mathematically precise sound. Live renditions of tracks like FraKctured or the jaw-dropping The ConstruKction of Light sound significantly more organic, raw, and aggressive here than their studio counterparts. Pat Mastelotto's electronic percussion and Trey Gunn's dense Warr guitar lines construct an impenetrable wall of sound, setting the stage for the intense guitar duels between Adrian Belew and Robert Fripp. The setlist perfectly balances fierce new material with Discipline-era classics like Thela Hun Ginjeet and Frame by Frame. The soundboard quality on this Japanese edition is immaculate, capturing every single nuance of the complex polyrhythms. It is an essential listen for anyone who appreciates late-era, uncompromising industrial progressive rock.

This double CD documents the very beginning of the band’s Tokyo residency on their Fall tour. The quartet performs with high focus, unleashing surgically precise, industrial riffs. Live takes of “Into the Frying Pan” and the title track “The ConstruKction of Light” are executed with fierce digital drive. The highlight of this release is the pristine stereo separation, perfectly parsing Belew and Fripp's interlocking guitars across the channels.

The second consecutive night in Shibuya catches the quartet shedding initial performance tension and embracing experimental liberties. The core treasure of this release lies in two expansive, ominous improvisations (Improv I and Improv II), where Trey Gunn’s touch guitar weaves dense, hypnotic low-end soundscapes. The sheer crushing weight of “Larks' Tongues in Aspic (Part IV)” reaches an absolute pinnacle here, with Pat Mastelotto's electronic percussion shaking the mix.

Great and lovely show! Geetings and interacting with the audience! No MC subtitles. Many famous songs like: "As God Wills" (At God's Mercy), "Setsuna Trip", "Earth's Last Confession" and surpisingly "Justin Jive Justify" from 'Lead Princess of the Colorless World' of nyanyannya! It's a truly fun and delightful!

Sooo adorable and high quality, paint jobs are so smooth and the magnets are strong. Would highly recommend!!

Sooooo adorable I brought two of them and they both arrived in great condition and were packaged carefully, would highly recommend.

Sooo cute and I didn’t expect the pouch to be a soft velvet material but I love it, a bit smaller than I thought it would be but I still love it.

This double CD captures the band's second night at the Koseinenkin Kaikan. Compared to the previous evening, the musicians sound noticeably more aggressive and confident. The highlight is the bone-crushing performance of “THRAK” and “B'Boom,” where the stereo imaging perfectly separates Bill Bruford’s drums (left channel) from Pat Mastelotto’s (right channel). Sourced from the original DAT tape, the Japanese remastering pushes the low end to its limits, making Tony Levin’s heavy bass vibrate in the mix. A total treat for live audiophile sound purists.