SHAKESPEARE Geki to Zuzo Gaku Butai Kozu Bamen Kosei Gengo Hyosho No Shiten Kara
Imanishi Masaki / Cho
| Points You Earn | 1% (30p) |
|---|---|
| Release Date | May 28, 2008 |
| Availability | Backorder:Usually ships in 1-3 weeks |
Product Details
| Catalog No. | NEOBK-487388 |
|---|---|
| JAN/ISBN | 9784779113420 |
| Product Type | BOOK |
| Pages | 292 |
|---|
Books are basically written in Japanese except for bilingual books or ones indicated as not written only in Japanese.
Related Artists
Description
Translate Description
Description in Japanese
シェイクスピア劇と図像学 舞台構図・場面構成・言語表象の視点から / 今西雅章/著
Related Offer & Feature
Tracklisting
| 1 |
プロローグ 演劇の図像学的研究への流れと三つの視点
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| 2 |
舞台構図・場面構成・言語表象(非言語表象)
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| 3 |
第1部 悲劇(『オセロー』における聖なる次元-秘蹟劇的変容と舞台表象の意味
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| 4 |
アナモルフォーズの画家イアゴーのトリック-『オセロー』における狂気の構図
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| 5 |
『マクベス』における血の幻影の演劇的意味-セネカの『狂えるヘルクレス』と比較しつつ
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| 6 |
ルネッサンスの絵画と演劇の図像学-レオナルド・ダ・ヴィンチの「最後の晩餐」と『マクベス』の"祝宴"のモチーフ)
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| 7 |
第2部 問題劇(『尺には尺を』の迷宮の構図-公爵はなぜ裁きを引き延ばしたのか
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| 8 |
『トロイラスとクレシダ』の戯画化の技法-言語表象と舞台表象に見る伝統と創造)
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| 9 |
第3部 晩年のロマンス劇(『冬物語』の動き始めた彫像-「身体」のメタファーの意味するもの
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| 10 |
『ペリクリーズ』の「死」と「再生」のモチーフの変奏と舞台構図-シェイクスピアの秘蹟劇のバロック的展開)
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| 11 |
エピローグ 温故知新
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