BOOK

<Original Writer> No Kigo Gaku-nippon Bungei No Eiga Teki Jigen

Nakamura Miharu / Cho

3200yen
(3520yen Tax incl. in Japan)
Points You Earn 1% (32p)
Release Date February 2018
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Product Details

Catalog No.NEOBK-2205272
JAN/ISBN 9784909544018
Product Type BOOK
Pages 287

Books are basically written in Japanese except for bilingual books or ones indicated as not written only in Japanese.

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Description

[Machine Translation] Why is it that a literary film, as a mutation of an original work, is nevertheless imbued with a unique and irreplaceable character? From the standpoint of viewing all creative works as secondary texts, we will analyze "Yukiguni," "Zenzai and His Wife," "Yamabiko Gakko," and "Shinju Ten Amijima" to challenge the notion of originality.

Translate Description

*As it is a machine translation, the result may not provide an accurate description. Please use it only as a reference. *Not available within the China mainland region.

Description in Japanese

〈原作〉の記号学-日本文芸の映画的次元 / 中村三春/著

原作の変異としてある文芸映画が、にもかかわらず、かけがえのない固有性を帯びるのはなぜか。すべての創作物を第二次テクストとして見る立場から、『雪国』『夫婦善哉』『山びこ学校』『心中天網島』などを分析し、オリジナリティという観念に揺さぶりをかける。

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    Tracklisting

    1
    序説 文芸の様式と映画の特性―豊田四郎監督『雪国』
    2
    1 “原作現象”の諸相(“原作”の記号学―『羅生門』『浮雲』『夫婦善哉』など
    3
    “複数原作”と“遡及原作”―溝口健二監督『雨月物語』
    4
    古典の近代化の問題―溝口健二監督『近松物語』
    5
    “原作”には刺がある―木下恵介監督『楢山節考』など)
    6
    2 展開される“原作”(意想外なものの権利―今井正監督の文芸映画『山びこ学校』と『夜の鼓』
    7
    反転する“リアリズム”―豊田四郎監督『或る女』
    8
    擬古典化と前衛性―篠田正浩監督『心中天網島』
    9
    混血する表象―トニー・オウ監督『南京の基督』)
    10
    展望 第二次テクスト理論の国際的射程―映画『神の子どもたちはみな踊る』と『薬指の標本』

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