BOOK
Choshu No Tanjo Post Modern Jidai No Ongaku Bunka (Chuko Bunko)
Watanabe Hiroshi / Cho
857yen
(943yen Tax incl. in Japan)
| Points You Earn | 1% (8p) |
|---|---|
| Release Date | February 23, 2012 |
| Availability | In Stock at Supplier:Usually ships in 2-4 days |
Product Details
| Catalog No. | NEOBK-1083507 |
|---|---|
| JAN/ISBN | 9784122056077 |
| Product Type | BOOK |
| Pages | 325 |
|---|
Books are basically written in Japanese except for bilingual books or ones indicated as not written only in Japanese.
Description
[Machine Translation] The attitude of listening solemnly at classical music concerts was never universal. The 18th century, when it was background music for social gatherings, the mythologization of Beethoven, the commercialization of music, and light listening... A groundbreaking history of music read from the cultural and social background and changes in audiences. The 11th award-winning work.
Translate Description
*As it is a machine translation, the result may not provide an accurate description. Please use it only as a reference. *Not available within the China mainland region.
Description in Japanese
聴衆の誕生 ポスト・モダン時代の音楽文化 (中公文庫) / 渡辺裕/著
クラシック音楽の演奏会では厳粛に耳を傾けるという聴取態度は、決して普遍的なものではなかった。社交界のBGMだった18世紀、ベートーヴェンの神話化、音楽の商業化、軽やかな聴取…文化的、社会的背景と聴衆の変化から読み解く画期的音楽史。第11回受賞作。
Related Offer & Feature
Tracklisting
| 1 |
1 近代的聴衆の成立(序ー近代的演奏会の光景
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| 2 |
演奏会システムの確立
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| 3 |
高級音楽と低俗音楽
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| 4 |
神格化される「巨匠」たち)
|
| 5 |
2 近代的聴衆の動揺ー一九二〇年代(環境を浸食する「複製」
|
| 6 |
自動ピアノの饗宴
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| 7 |
大衆文化と「前衛」作曲家たち)
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| 8 |
3 近代的聴衆の崩壊(カタログ文化の到来
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| 9 |
商業主義の擡頭
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| 10 |
音楽の大衆化と「精神性」の没落)
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| 11 |
4 新しい聴取へ向けて(軽やかな聴衆の誕生
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| 12 |
音の復権へ
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| 13 |
消費社会の中の「クラシック」)
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| 14 |
補章 七年後の「ポスト・モダン」
|
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