TIMER

[Machine Translation] Japanese punk's problem child, Parking Out, delivers laughably rich junkie pop music in the frosty month of February, when we miss the human skin. They made their debut with the mini-album "HEMP" in February of this year, and released a maxi with three songs in July, less than half a year later. After releasing a series of albums at a devastating pace, their third full-length album this year is "TIMER," which contains 11 songs. In addition to a retake of the title track from the previous album, "Lesser Man," the band has covered "BASKET CASE," a song by GREEN DAY, whom they themselves revere as a god. The song is filled with awe and love, and is a bossa nova rendition of the West Coast winds. The other original songs are not limited to "pop punk" as in the past, but all of them make you feel "grown up" in a good sense. The dilemma of wanting to do something but not being able to do it has been wiped away, and this work, created silently and as they wished, has a new heavy sound in addition to the pop that is typical of them, and the emotions that they developed in their last album are condensed in this work.

日本語パンクの問題児Parking Outが人肌恋しくなる霜月に、笑っちゃうほど濃厚なジャンキーポップスをお届けっ。★今年2月にミニアルバム「HEMP」でデビューを果たし、半年足らずで7月には3曲入りマキシをリリース。破滅的な勢いでリリースを連発し、今年3枚目となるのは11曲入りのフルアルバム「TIMER」。前作のタイトル曲「劣人」のリテイク他、彼等自身も神と崇めるあのGREEN DAYの代表曲「BASKET CASE」をカヴァー。西海岸の風をボサノヴァにのせ、畏敬の念とたっぷりの愛を詰め込んだ。他のオリジナル曲も、これまでのような「ポップパンク」という言葉にとらわれることなく、いい意味で「大人になった」と感じさせるものばかり。「やりたい」と思っても、「できなかった」ジレンマを払拭し、思いのままに黙々と作り上げられたこの作品は、彼等らしさとも言えるポップさに加え、新たに重みのあるヘヴィーなサウンド、前作で開拓したエモーショナル、いい形で成長をとげた彼等の足跡が、この作品に凝縮された。