BOOK

Studio Ghibli Composite and Effect Works

Atsushi Okui, Toru Nozaki

3200yen
(3520yen Tax incl. in Japan)
Points You Earn 1% (32p)
Release Date late November 2023
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Product Details

Catalog No.NEOBK-2924103
JAN/ISBN 9784802512718
Product Type BOOK
Pages 224

Books are basically written in Japanese except for bilingual books or ones indicated as not written only in Japanese.

Description

This book traces the work of Atsushi Okui, who established the Cinematography Department at Studio Ghibli and supported the production of numerous animated films. The book covers everything from "AKIRA," "Gundam: Char's Counterattack" and "Porco Rosso," which Okui worked on while at Asahi Productions, to Studio Ghibli's latest work, and ones of Studio Ponoc. The production process is explained based on interviews and abundant illustrations, and the techniques used to create images by filming are explored. From the days of analog production, when celluloid images were handled on the set, to digital production, this book unravels the work of animation cinematography and the role of image direction. Includes comments from directors Hayao Miyazaki, Yoshiyuki Tomino, Katsuhiro Otomo, and other staff members! ( Table of Contents ) CONTENTSPART I: The Age of Analog Filming AKIRA / Mobile Suit Gundam: Char's Counterattack 1-1 Porco Rosso 1-2 Pom Poko 1-3 Whisper of the Heart 1-4 Princess Mononoke PART II: From Analog to Digital Filming 2-1 My Neighbors the Yamadas 2-2 Spirited Away 2-3 Howl's Moving Castle 2-4 Tales from Earthsea 2-5 Ponyo 2-6 The Borrower Arrietty 2-7 From Up on Poppy Hill 2-8 The Wind Rises 2-9 When Marnie Was There Part III: Into a New World of Visual Expression 3-1 Mary and the Witch's Flower 3-2 Modest Heroes 3-1 How Do You Live?

Translate Description

*As it is a machine translation, the result may not provide an accurate description. Please use it only as a reference. *Not available within the China mainland region.

Description in Japanese

スタジオジブリの撮影術 撮影監督・奥井敦の仕事のすべて / 奥井敦/著 野崎透/編著

スタジオジブリで撮影部を立ち上げ、数々のアニメーション作品の画作りを支えた奥井敦の仕事の軌跡をたどる。『AKIRA』『機動戦士ガンダム 逆襲のシャア』からスタジオポノック作品、スタジオジブリの最新作までインタビューや解説をもとに、撮影による制作プロセスを一挙収録。撮影台でセル画を扱うアナログ制作の時代からデジタル制作に至るまで、アニメーションの撮影の仕事と映像演出の役割についてを紐解く―。宮〓駿監督・富野由悠季監督・大友克洋監督ほかスタッフコメントも掲載!

Related Offer & Feature

    Tracklisting

    1
    0 アニメーションの撮影―「画」から「映像」を作り出す(アニメーションにおける撮影の役割
    2
    スタジオジブリ最後のアナログアニメーション―『もののけ姫』の撮影
    3
    撮影に関する用語集:アナログ編
    4
    デジタル撮影の流れを見る―『風立ちぬ」の撮影)
    5
    1 アナログ撮影の時代(AKIRA
    6
    機動戦士ガンダム 逆襲のシャア
    7
    紅の豚
    8
    平成狸合戦ぽんぽこ
    9
    耳をすませば
    10
    もののけ姫)
    11
    2 アナログ撮影からデジタル撮影へ(ホーホケキョとなりの山田くん
    12
    千と千尋の神隠し)
    13
    3 さらに新たな映像表現の世界へ(メアリと魔女の花
    14
    ちいさな英雄―カニとタマゴと透明人間
    15
    君たちはどう生きるか
    16
    解説2:階調を持った光と影の表現を―HDR(ハイダイナミックレンジ))

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