teal

[Machine Translation] The long-awaited second solo piano work by Masaki Hayashi, an up-and-coming pianist who plays with Naruyoshi Kikuchi and Pepetrement Ascarral, and Sargavo led by Natsuki Kinugi: !!!!!!!! Piano music is music of the hands. In this sense, guitars, percussion, and stringed instruments are also music created by the movement of the hands, but the piano is an instrument that makes one feel the relationship between the hands and music even more strongly. The movements of the performer's fingers, hands, arms, and body (torso) are translated into sound by the device of the piano. Pianist Masaki Hayashi appears at various sites of sound as if by chance. His delicate hands support violinist Toshihiro Nakanishi and Iwao Furusawa, his exotic hands create polyrhythms for Naruyoshi Kikuchi's project Pepe Tormento Ascarral, and his shifting hands in a joint performance with pianist Nobumasa Tanaka, a pianist with rare hands who creates hand movements that match the sound site. He is a pianist with a rare hand that creates hand movements that match the site of the sound. In 2013, after his first solo album "Flight for the 21st," he has put together his first solo album in a long time, "teal. In contrast to the thrilling hand movements on the keyboard of the past, the supple movements of his hands and the surprisingly still, quiet movements of his hands capture soft, deep, and distant soundscapes. The movement of sound, detached from the recorded hand movement on the keyboard, will continue to sleep in people's hearts, outlining Masaki Hayashi's supple hand movement and soft hand shape. ***************************************************** "teal" The color is a beautiful and delicate blue with a perfect balance of blue, green, and light blue. When I visited the suburbs of Gothenburg for a recording session, I was captivated by the cold and quiet air and the warm, yet indescribably beautiful sky. That is the origin of my "teal". I have been playing various types of music, and in the past few years, my awareness of sound has changed drastically. I have been playing various types of music, and my awareness of sound has changed dramatically over the past few years. The sound reminded me of the sensations I had felt before. The work of blending predetermined motifs and improvisation, dripping them into the space and creating colors, transcended the performance and connected the piano, myself, the space, and the people in it. This sense of ritual creates an organic pause. To the echoes played by the pauses

菊地成孔とペペトルメントアスカラール、鬼怒無月率いるサルガヴォで活躍する新進気鋭のピアニスト林正樹待望のセカンドソロピアノ作品!!!!!!!!ピアノの音楽は、手の音楽だ。そういう意味ではギターや打楽器、弦楽器も手の運動が創り出す音楽だが、ピアノはひときわ手と音楽の関わりを強く感じさせる楽器だ。演奏者の指、手、腕そして身体(トルソ)の運動は、ピアノという装置によって音に翻訳されていく。さまざまな音の現場に神出鬼没に現れるピアニスト林正樹。ヴァイオリニスト中西俊博、古澤巌をサポートする繊細な手、菊地成孔のプロジェクト、ぺぺ・トルメント・アスカラールのポリリズムを生み出すエキゾチックな手、そしてピアニスト田中信正との連弾での変化する手、音の現場に合わせた手の運動を創り出す、稀な手を持つピアニストである。そして、2013年、最初のソロアルバム『Flight for the 21st』を経て、久しぶりにソロアルバム『teal』をまとめあげた。かつての鍵盤上のスリリングな手の動きとはうってかわった、手のしなやかな動き、そして意外なほど、じっと、ひっそりとした手の静かな運動は、柔らかく、深く、遠い音の風景をとらえる。いま、レコーディングされた鍵盤上の手の動きから切り離された音の動きは、いまも林正樹のしなやかな手の動き、柔らかな手の形の輪郭を描きながら、人々のこころに微睡み続けるのだろう。***************************************************** 「teal」和名なら浅葱色といったところだろうか、青、緑、水色が絶妙なバランスで混ざったとても美しく繊細な青色だ。以前レコーディングで訪れたイェーテボリ郊外で、冷たい空気と静寂の中、ひっそりとしかし温かく、何とも形容しがたい程の美しい空に心魅かれた。それが僕の「teal」の原点である。色々なタイプの音楽を演奏して来て、ここ数年自分の音の意識が大きく変化してきた。本当に居心地のよい、おしつけない音楽、静寂の中にすっと入り込んで行ける音。その音は以前感じた感覚を思い出させるものだった。決められたモチーフと即興演奏とを空間に滴しながらブレンドし色を作り上げる作業は、演奏を超え、ピアノと自分と空間とそこにいる人々とを結びつけていく。この儀式的感覚こそが有機的な間を生み出していくのだ。間が奏でる響きに