CD Album

Hengen Jizai

Susumu Hirasawa

2667yen
(2934yen Tax incl. in Japan)
Points You Earn 3% (80p)
Release Date November 10, 2010
Availability Sold Out
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Product Details

Catalog No.DAKCHTE-51
JAN/ISBN 4948722415602
Product Type CD
Number of Discs 1

Credits

Description

Album release from Susumu Hirasawa.

Translate Description

*As it is a machine translation, the result may not provide an accurate description. Please use it only as a reference. *Not available within the China mainland region.

Description in Japanese

変弦自在 / 平沢進

P-MODELデビュー30周年、ソロデビュー20周年記念イベント「凝集する過去ー還弦主義8760時間」より第2の成果が届いた。11枚に及ぶソロ旧譜の中から厳選された楽曲を素材に、弦アレンジの魔と化した平沢進が次々と奏でる新たな響き。今世紀に入ってからまだ手にしていなかったというクラシック・ギターまで動員し、その手法は前作にも増して一層念入りで磨きがかかっている。新譜とも違うがただのリアレンジでもない、この企画がなければ決して生まれることのなかった圧巻の全7曲。8760時間にわたる作業の末たどり着いたこの世の果て。東京都出身。79年、テクノポップバンド P-MODELを結成。その斬新かつPOPなサウンドが、テクノポップ・ブームを巻き起こす。P-MODEL名義では過去に14枚のオリジナルアルバムを発表し、2008年現在、P-MODELは「培養」と称し、活動休止中。89年よりP-MODELと並行して「平沢進」名義でソロ活動を開始。 より歌に重心を置いた無国籍風サウンドを確立し、「過去」(神話/民俗的世界) と「未来」(SF/コンピューター的世界)が「現在」に出会ったかのような、 まさに「平沢ワールド」を繰り広げる。オリジナル作品以外にも、ゲームソフトや劇場アニメのサウンドトラックも多数手掛けており、アニメーション映画『パプリカ』の主題歌「白虎野の娘」は米アカデミー賞歌曲賞部門のノミネート候補となった。彼は常に時代の数歩先を読み、あらゆる分野への「アーチスト」 達に影響を与え続けている。

Related Offer & Feature

    Tracklisting

    1
    Kinsei
    金星 / 平沢進
    2
    Yumemiru Kikai
    夢見る機械 / 平沢進
    3
    Bandiria Ryokodan
    バンディリア旅行団 / 平沢進
    4
    Tobira To (Paranesian Circle)
    トビラ島(パラネシアン・サークル) / 平沢進
    5
    Kantaiheiyo Gisomo
    環太平洋擬装網 / 平沢進
    6
    Siren
    サイレン*Siren* / 平沢進
    7
    MOTHER
    MOTHER / 平沢進

    Susumu Hirasawa Related Items

      Customer Reviews

      You can earn rewards points for writing a review.
      Not as good as the P-Model remake album 3

      Hate to give this only 3 stars, but I just can't help my disappointment. First of all, having only 7 tracks shouldn't merit having the same price as the first album. Going further with that point for me is, even though the P-Model remake album for some reason misses a few albums, this one misses 4, going up only to Technique Of Relief for some reason (I can understand why he may not want to re-record music he just released last year, but still...). Another big problem I have is that the arrangements themselves are a little less exciting than in Totsu Gen Hen I, where he cleverly fuses electronics with symphony, keeping the P-Model feel for experimentation through technology, but here is more or less similar between each tracks. Hirasawa does however do some great arrangements despite my complaint, my favorites being Island Door, The Dreaming Machine, and Venus. The rest I still enjoy, but need more time to grow on me; afterall, I haven't had this CD for long, so surely I will accept it with more listens. Either way, I am grateful for this and Totsu Gen Hen I, and that Hirasawa left the tracklisting up to the fans. I actually made a mix combining these two albums together in chronological order, which I think is even better, so try it out sometime if you're curious.

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