New Customer Review

I love this album a lot. I got this CD because of the two songs I watched on YouTube.Their songs Iconic and Spicy Queen are awesome and two of my favorite songs and videos. I will actually be seeing these ladies in concert on March 30th and can't wait to see them in person.

Awesome album. I love every single song. This is my second album of theirs and I'm hooked on their music.This is just another band I like really well and another album added to my growing collection of JPOP and KPOP.

This entire series is great for self study as it has exercises from basics to exam examples. The book itself gives you advices and a clear way of advance. I recommend it as I also was able to approve N3 this year.

I really appreciate Cygames turning this specific Vikala illustration into an acrylic stand. The print quality is crystal clear, and both the character design and the final product are super cute. A must-have for any Vikala fan!

NEKI’s first album is a must-have for J-rock fans. There isn't a single skip on this record; all the tracks are fantastic. The CD booklet is also high-quality and beautifully designed. Highly recommended!

I'd rank this as a top 3 BABYMETAL album, sitting just behind the self-titled debut and Metal Resistance. However, I wasn't a fan of most of the songs are collaborations, and I was quite disappointed with the Deluxe Edition. I have no idea what they were thinking with all those loose papers inside the CD booklet—it felt very poorly put together. Despite that, I still recommend it to any J-metal fan for the music alone.

so precious photobook!she is very beautiful and cute. Everyscence in this book so charm ,warm and cozy

she is very beautiful actress, I am her fanclub. She is multitalent artists;actress, model,voice acting,talento and singer. Perfect womam!

It’s so so pretty!!! I was expecting it to be a bigger calendar, but I don’t mind that it’s small at all!! It looks like a CD case, which I love and it fits so perfectly!!! Plus, the art in the calendar is STUNNING!!! Definitely worth the purchase!!!!

Scorched is middle of the road for Overkill - you get what you expect with Bobby’s vocals to DDs bass to equal parts thrash and breakdowns. They don’t reinvent the wheel or do anything crazy, but that’s fine. The first half of the album is definitely stronger than the second.

This AILD album is angry, melodic and fast, which is what Tim does best with this arguably best lineup of musicians. Out the gate, Beyond Our Suffering sets the stage for a brutal metal assault. Anger and Apathy is another amazing, melodic track. Highly recommended!

It pains me to say this because I’m a huge Annihilator fan, but this album - with the exception of Psycho Ward, which is a contemporary classic Annihilator song with amazing guitar solos that Jeff grunts over and I LOVE it - is trash. Garbage. The vocals are horrible, the lyrics are the corniest they’ve ever been, and Jeff is going a lot of musical recycling of things we’ve heard him play before. I don’t ever expect Annihilator to reach the heights of Neverland, Alice or even the amazing Metal 2, but this is just a waste.

Delirious isn’t bad per se, but it’s just a much “lighter” album than I want and expect from 7C - it just doesn’t rock as hard as I would like. The songs are lighter, slower, and even the rocking tunes get hard enough (like When We Were Young). Fyhr sounds great, but not enough to save the lighter music.

7C’s Wonderland - to me - is their most melodic and accessible albums. They lean equally on the keys and guitars, which are balanced perfectly. The title track is AWESOME, and sets the tone for rest of the album. And as is to be expected, Fyhr’s vocals are ALWAYS fire!!

Truth be told, SS is merely an average Annihilator album; Jeff does what Jeff does, and that all you can expect. The guitars are great, the vocals are passable, and the composition is top. Standout tracks are actually the last two on the album. However, this set is worth it for the re-recorded tracks alone; they definitely breathe fresh air into the older songs. I don’t prefer them to the originals, but they are are great reinterpretation of some decades later

DAGURI by Kosuke Mine is the kind of record that pulls you in quietly, then refuses to let go. It’s lean and focused—more about tension, space, and forward motion than flashy solos—so every phrase and rhythmic shift feels intentional. On vinyl, the atmosphere really lands: the low end is tight, the mids feel present and textured, and the overall mix has a raw, intimate edge that suits the music’s stripped-down intensity. It’s an excellent late-night listen—moody, cerebral, and surprisingly addictive the more time you give it.

LOVE TRIP by Takako Mamiya is one of those rare city-pop records that feels instantly timeless—soft-focus, romantic, and incredibly well-crafted. The grooves are smooth but never sleepy: crisp drums, warm basslines, and shimmering keys that make the whole album feel like a midnight drive with neon reflections on the windshield. What I love most is the balance: it’s polished and elegant, yet full of emotion. Every track flows naturally, and the melodies stick in your head in the best way. On vinyl, the sound has a rich, silky presence that really suits the album’s atmosphere—clean highs, satisfying low end, and plenty of space for the arrangements to breathe.

This limited “100% Pure LP” edition of MAGICAL Ohashi Junko no Sekai 3 by Junko Ohashi is exactly what the name promises—bright, elegant city-pop grooves with that glossy, late-night sparkle. The arrangements feel spacious and luxurious, with punchy rhythm sections, silky keys, and vocals that are both powerful and effortless. On vinyl, the whole album breathes: the basslines sit warm and deep, the percussion snaps cleanly, and the choruses open up in a way that makes you want to replay sides immediately. It’s the kind of record that works as focused listening and as perfect background for an evening at home.

Somewhere between Fall of Ideals and Overcome, ATR appears like they desperately wanted to break into the mainstream because they started mixing in ballads and what I think they think epic singalong songs are supposed to like with metal songs full of blast beats and screaming. I appreciate the range but, it makes for an album that can’t find its footing or tone. Going from the melodic The Won’t Rnd Well to the double bass heavy and screamy No Knock is just weird; it’s not cohesive. It’s not BAD, but, this album isn’t a complete listening experience one can have beginning to end.

This limited LP of Paper Drivers Music [Limited Release] is a total joy if you like warm, detail-rich Japanese pop with that “city glow” polish. The music feels effortless—tight grooves, clever chord changes, and melodies that stick without trying too hard. It has that Kirinji magic where everything sounds smooth on the surface, but there’s a lot happening underneath (little rhythmic twists, playful arrangements, and vocals that sit perfectly in the pocket). As a record, it’s also just nice to live with: the presentation feels like a collector’s piece, and the album’s bright, summery energy makes it easy to throw on and let it run. If your shelf already has Shibuya-kei/city-pop adjacent favorites, this one fits right in—but it’s also approachable enough for a first-time Kirinji listen.