New Customer Review

I'll start with just: I love this album. This is what I imagine Madoka from Kimagure Orange Road listening to on her headphones. What this sounds like is if Joe Strummer had been the guitarist for Huey Lewis. It's everything that makes the 80s great. Pop-rock songs with a strong danceability and memorable hooks, ie. perfect earworms. Mo Yada! is catchy as all get out and I can't get enough of it; Shit! Shit! Shitto is another stand-out for playing on repeat. My only problem with the album is that it is 80s album length, before the dawn of cds and their extended play times. Luckily, there are 6 more albums to get from them (well, 5, as i bought their 4th when i bought this and that has more bangers like Naita Mama de Listen to Me and Megitsune on the Run). Barbee Boys rock.

Of course WTG and CAC are great but I personally love The Look of Love. So sweet! I was lucky enough this album was reissued since it was the only japanese one I didn't have

'Marbles' is a return to form for the band. Prior to the release of 'Marbles,' Marillion were releasing albums fairly consistently every year. For this album, the band set aside two years solely to write the material. As a result, every song is intricately constructed and arranged. In addition, 'Marbles' is one of the most mature sounding Marillion albums. For a double album, it doesn't get more flawless than 'Marbles.'

This album is a real concept and progressive album. The keyboards, the guitars, the vocals, the drums are in a perfect harmony! The 2 ballads Kayleigh and Lavender are really essential: they give to the album a romantic touch; that's why many young female teenagers like this album! The romantic moods are also present in many other parts of the album, because of guitar and keyboards arrangements. Many heavy metal fans like this album, because of the guitar. Finally, the music is complex enough to be liked by real prog fans in search of always more sophisticated albums.

It's musically all over the map. Sanders romps through a tremendous variety of instruments, including tenor, soprano, alto flute, fifes, the African bailophone, assorted small percussion, and even a cow horn. It's rare to have this many different sides of Sanders coexisting in one place, and that's what makes the album such an interesting listen.

FIRST CLASS ALBUM From Paul McCartney The Boys of Dungeon Lane his latest 14 superb tracks every one a gem Stand out tracks Days we left behind Down South Home to Us( with Ringo Starr) Paul is Reminiscing about his childhood in post war Liverpool, His early Beatle Days And about his parents. I was lucky enough to hear Paul’s album 4 days before it’s release through an in store listening party. A terrific addition for any Paul/ Beatles fan’s collection Try it But It Recommended 5 Starrs

Paul McCartney’s latest album The Boys of Dungeon Lane 14superb tracks every one a gem Stand out tracks The Days we left behind Down South Home To Us( with Ringo) The Deluxe edition cd Housed in a 7x7 album jacket sleeve With bonus photos ( Japan Release only) Superb album Recommended

Here, the musicianship for what is technically a debut release, is simply outstanding. Compositions are weird, hilarious and superb, in the same vein as FRANK ZAPPA or GONG maybe, fused with ATOMIC ROOSTER. All tracks, link into one another to create one continuous piece of music. Sometimes even after repeated listening, it's hard to tell when they begin and end. So many different styles grace this CD. Its one of those LP's that from the moment you first hear it, you are instantly hooked and entertained and just gets better and better with every play. Outstanding and essential stuff indeed.

Absolutely loved the album! I'm a big fan of the band, and the CD arrived in perfect condition. It only took a week to get here, super fast, considering I live in Spain!. Highly recommended seller!

This recording is simply sheer brilliance. All five players are in the top echelon in their genre. It's not just the individual virtuosity, it's also the group interplay that makes this CD so wondrous. The choice of material also suits the collective personnel well; all tunes provide the framework for intricate interplay during the melody lines as well as inspired improvizations and sensitive comping.

The gem of the tour. In a smaller venue, an intimate connection formed between the musicians and the audience. The performance of the "Radical Action" suite reaches its cathartic peak here. Pure magic.

The sum of the entire journey. A sense of closure hangs in the air. The musicians give 110%, and even the quiet moments of "Peace" sound like a grand farewell. It is the triumphant epilogue to a great tour.

Dedicated to the memory of John Coltrane, the album is a brave deviation from just playing Coltrane tunes the way the man did. No, this album is totally different and it works miracles. For starters, there is no sax featured in a tribute to the great sax player! Undoubtedly, a most unexpected star of this trio is Joey DeFrancesco on Hammond B3. Actually, it's not a Hammond, but a Yamaha B3, built to fill the gap after Hammond stopped production and it's a superb machine with a rich sound that any purist would take to without reservations. In the hands of DeFrancesco it practically steals the show. Not that it would leave McLaughlin idle, who plays in a tastefully modest and elegant manner. Add Coltrane's former drummer Elvin Jones to the mix and you have a sensational album. From the first note to the last, it is pure delight, short of nectar to the ears.

arrived on time and without issue. The book itself is smaller than I thought but the contents are great

This evening, the band leans into its lyrical side. Mel Collins’ saxophone dominates, filling the space with jazz improvisations. It is the most "beautiful" show of the series, where aggression gives way to elegance.

The sound turns harsh and metallic. The drum section operates like a massive industrial press. This show highlights the raw power of the current lineup, capable of literally leveling walls with sound waves.

The change of scenery brought fresh energy. The band sounds more relaxed, allowing more freedom in the solo sections. Tony Levin’s bass feels fatter and more tactile here, creating an incredible groove.

Before the finale, the band enters a state of meditative drive. The music flows smoothly despite its complexity. It is the perfect balance between intellectual challenge and the purely physical pleasure of rhythm.

Having listened to several Japanese pressings of this landmark recording, I can say without hesitation that this hybrid SACD two-disc edition ranks among the finest. Presented in a prefect reproduced 7-inch cardboard sleeve, the package reflects the meticulous attention to detail for which Japanese reissues are renowned. Sonically, the mono mix offers remarkable presence, tonal richness, and coherence. It is, quite simply, one of the most satisfying version of this album currently available. As a limited edition release, however, it is unlikely to remain available for long.

A high-quality double-LP reissue from Disney pressed on translucent blue vinyl. This comes with an obi strip and the sleeve printed with the vintage Japanese "Star Wars" artwork. The records have polypropylene-lined paper sleeves, but there are no vintage inserts included here: just a small handbill for a survey contest from Disney. This is a great collectible.