New Customer Review

Scorched is middle of the road for Overkill - you get what you expect with Bobby’s vocals to DDs bass to equal parts thrash and breakdowns. They don’t reinvent the wheel or do anything crazy, but that’s fine. The first half of the album is definitely stronger than the second.

This AILD album is angry, melodic and fast, which is what Tim does best with this arguably best lineup of musicians. Out the gate, Beyond Our Suffering sets the stage for a brutal metal assault. Anger and Apathy is another amazing, melodic track. Highly recommended!

It pains me to say this because I’m a huge Annihilator fan, but this album - with the exception of Psycho Ward, which is a contemporary classic Annihilator song with amazing guitar solos that Jeff grunts over and I LOVE it - is trash. Garbage. The vocals are horrible, the lyrics are the corniest they’ve ever been, and Jeff is going a lot of musical recycling of things we’ve heard him play before. I don’t ever expect Annihilator to reach the heights of Neverland, Alice or even the amazing Metal 2, but this is just a waste.

Delirious isn’t bad per se, but it’s just a much “lighter” album than I want and expect from 7C - it just doesn’t rock as hard as I would like. The songs are lighter, slower, and even the rocking tunes get hard enough (like When We Were Young). Fyhr sounds great, but not enough to save the lighter music.

7C’s Wonderland - to me - is their most melodic and accessible albums. They lean equally on the keys and guitars, which are balanced perfectly. The title track is AWESOME, and sets the tone for rest of the album. And as is to be expected, Fyhr’s vocals are ALWAYS fire!!

Truth be told, SS is merely an average Annihilator album; Jeff does what Jeff does, and that all you can expect. The guitars are great, the vocals are passable, and the composition is top. Standout tracks are actually the last two on the album. However, this set is worth it for the re-recorded tracks alone; they definitely breathe fresh air into the older songs. I don’t prefer them to the originals, but they are are great reinterpretation of some decades later

DAGURI by Kosuke Mine is the kind of record that pulls you in quietly, then refuses to let go. It’s lean and focused—more about tension, space, and forward motion than flashy solos—so every phrase and rhythmic shift feels intentional. On vinyl, the atmosphere really lands: the low end is tight, the mids feel present and textured, and the overall mix has a raw, intimate edge that suits the music’s stripped-down intensity. It’s an excellent late-night listen—moody, cerebral, and surprisingly addictive the more time you give it.

LOVE TRIP by Takako Mamiya is one of those rare city-pop records that feels instantly timeless—soft-focus, romantic, and incredibly well-crafted. The grooves are smooth but never sleepy: crisp drums, warm basslines, and shimmering keys that make the whole album feel like a midnight drive with neon reflections on the windshield. What I love most is the balance: it’s polished and elegant, yet full of emotion. Every track flows naturally, and the melodies stick in your head in the best way. On vinyl, the sound has a rich, silky presence that really suits the album’s atmosphere—clean highs, satisfying low end, and plenty of space for the arrangements to breathe.

This limited “100% Pure LP” edition of MAGICAL Ohashi Junko no Sekai 3 by Junko Ohashi is exactly what the name promises—bright, elegant city-pop grooves with that glossy, late-night sparkle. The arrangements feel spacious and luxurious, with punchy rhythm sections, silky keys, and vocals that are both powerful and effortless. On vinyl, the whole album breathes: the basslines sit warm and deep, the percussion snaps cleanly, and the choruses open up in a way that makes you want to replay sides immediately. It’s the kind of record that works as focused listening and as perfect background for an evening at home.

Somewhere between Fall of Ideals and Overcome, ATR appears like they desperately wanted to break into the mainstream because they started mixing in ballads and what I think they think epic singalong songs are supposed to like with metal songs full of blast beats and screaming. I appreciate the range but, it makes for an album that can’t find its footing or tone. Going from the melodic The Won’t Rnd Well to the double bass heavy and screamy No Knock is just weird; it’s not cohesive. It’s not BAD, but, this album isn’t a complete listening experience one can have beginning to end.

This limited LP of Paper Drivers Music [Limited Release] is a total joy if you like warm, detail-rich Japanese pop with that “city glow” polish. The music feels effortless—tight grooves, clever chord changes, and melodies that stick without trying too hard. It has that Kirinji magic where everything sounds smooth on the surface, but there’s a lot happening underneath (little rhythmic twists, playful arrangements, and vocals that sit perfectly in the pocket). As a record, it’s also just nice to live with: the presentation feels like a collector’s piece, and the album’s bright, summery energy makes it easy to throw on and let it run. If your shelf already has Shibuya-kei/city-pop adjacent favorites, this one fits right in—but it’s also approachable enough for a first-time Kirinji listen.

47' 45" [Limited Release] from Kirinji is a perfect little slice of their charm—compact, polished, and ridiculously replayable. The songwriting is tight and melodic, with that signature Kirinji blend of smooth groove, clever harmonic turns, and an effortless “cool” that never feels forced. Because it’s a shorter release, it hits fast: no filler, just standout moments that make you want to flip the record and run it back. On vinyl, the mix feels warm and lively, with the rhythm section snapping nicely and the vocals sitting right up front.

A must have for all supporters of this group if you collect all physical editions. The slip case is nice to have and the full Shinjuku concert from 2024 is incredible.

I've been waiting a long time for the new EP and was so happy that this masterpiece is finally here. I love it, and the Blu-ray too. I was at their concert in Munich and I can still hear it.

xxxHOLiC is one of my favourite manga, so I was very happy to get the newest volume quite easily, and it's beautiful!

This is a beautiful brush. It’s very luxurious and oh so soft. I’m very impressed as to how quickly I received it.

I've been waiting a long time for the new EP and was so happy that this masterpiece is finally here. I love it, and the Blu-ray too. I was at their concert in Munich and I can still hear it.

Love this JinMao acrylic stand, love the packaging and customer experience! Thank you CD Japan for being such a trusty and much needed source of orginal manga and anime related merchandise! Thank you for the hard work

This performance is an absolute masterclass in orchestral storytelling. Hearing iconic themes like "The Wind Waker" and "Skyward Sword" brought to life by a world-class orchestra is a truly emotional experience. The arrangements are breathtaking, capturing both the grand scale of Hyrule and the intimacy of Link’s journey. Whether you are a long-time fan or a newcomer, the production quality and the nostalgia-driven setlist make this a definitive tribute to the series. A must-listen that perfectly honors 30 years of legend.

This soundtrack is a daring and beautiful departure from tradition. Instead of constant bombast, it uses delicate piano motifs and organic textures to mirror the vastness of Hyrule. The "less is more" approach creates a profound sense of solitude and discovery, making the sudden swells of the main theme or the frantic energy of the "Guardian Battle" feel even more impactful. It is a masterclass in sound design and subverting expectations. On a high-quality setup, the subtle details—the wind, the soft chime of strings, and the precise decay of the piano notes—provide a deeply immersive and meditative listening experience. A stunning, avant-garde tribute to the spirit of adventure.