New Customer Review

Okay this has got to be the cutest keychain that they ever created!! Kedama is so cute here and I am so excited to use this keychain!!!

These cards are so beautiful!!! The art is amazing and I love the whole set!! I love who they look like signed Polaroids and who each character has personality in each one!!!

Like always, the color pallet they used for Mafuyu is so pretty and so soft and gentle and I love it!!!

These Cheki style cards are so beautiful and I love them!! They remind me of kpop trading cards. I love the art style and how you can see each character’s personality come through each one! Love the whole set!!!

I am always pleasantly surprised by the clear card marches!!! Love the SNS style and Hiiragi looks so cool in this piece!!!

I love this clear card merch of Shizusumi!!! I love how there is space next to him in the shot like he’s leaving some room for Hiiragi to be right next to him!!

These special cards are so pretty!! I love each art work!!! Natsuki Kizu always creates beautiful pieces!!

For this Shizusumi charm strap, I love the green color they chose for the beads!! It’s so beautiful and it’s such a calming color like Shizu himself and I just had to get this one since I bought the Hiiragi one too!!

They always find away to make Hiiragi merch so bold and electric and I love it!!! I just had to get this charm strap!!! It’s so beautiful and it just draws me in!!!

Okay, so this charm strap is so pretty!!! They did a really good job with it and I love the blue color that they used for Ritsuka here!! It’s so pretty and fits his color pallet well!!

Okay I love Akihito so much and this acrylic keychain reminds me of how hot and beautiful he is!!!! He’s just so cool!!!

Okay, so I wasn’t expecting to love this keychain as much as I do!! For me, I feel like it can be a hit or miss for Haruki specific merch, but I really love how they created this keychain and he looks so beautiful here!!!

This is not a classical concert or guitar recital with particular etiquette for audience. This is a musical feast, a celebration of the guitar instrument where three guitars dance and talk to each other, and where audiences are free to express their amazement to many great licks and solos.

This release offers a refreshed perspective on the band's most controversial record. It utilizes Don Gunn’s 2019 stereo mix featuring newly tracked acoustic drums by Pat Mastelotto. On this CD, the industrial math-rock sounds monumental; the old plastic digital harshness is gone, allowing riffs on “FraKctured” and “Larks' Tongues IV” to hit twice as hard.

“The Power to Believe” represents the absolute peak of the quartet's heavy, industrial sonic assault. This Japanese pressing maximizes the dynamic scale, transitioning flawlessly from delicate “A Cappella” vocals to the tectonic shifts of “Level Five” and “Dangerous Curves”. Crisp, aggressive, and highly detailed.

A spectacular document of Crimson’s final 1980s show in Montreal. The band performs with ferocious speed and off-the-charts adrenaline. This CDs preserve every ounce of that concert energy. Superb channel separation lets you hear exactly how Fripp and Belew’s guitars lock together while Tony Levin’s Stick drives the groove.

This release of the 1969 archival recordings is an invaluable artifact for collectors. The double album “Epitaph” chronicles the live performances of the band's original lineup. Thanks to high-quality Japanese pressing, the sound from these archival sources (soundboards and radio broadcasts) is pushed to its absolute limit. The raw power of “21st Century Schizoid Man” and the haunting tragedy of “Epitaph” featuring Ian McDonald and Greg Lake sound spectacular. This is living history of progressive rock, beautifully packaged, and a mandatory addition to the shelf of any early King Crimson devotee.

It's an audiophile showcase, capturing the band’s legendary 2015 Canadian performance with staggering definition. The high-fidelity SHM-CD formulation handles the three-drummer wall of sound (Mastelotto, Harrison, Rieflin) with surgical precision, keeping the dense polyrhythms from cluttering. Reimagined catalog staples like “The Court of the Crimson King” hit with immense dynamic punch and physical weight. This pressing offers an unmatched stereo soundstage, making it a definitive chronicle of the modern Crimson era.

When I first heard Jay Chou's music a little more than 2 decades I wasn't as fond of his early releases. Even some later ones were sorta hit or miss for me. Lately though, I've been re-listening to many and have really fallen in love with his songs, all of them in fact. He's such a fantastic and unique artist and this was a wonderful starting point for his career. So many fantastic songs and I just love the packaging too. Definitely recommended!!

“Discipline” turns the page on Crimson's history, perfectly capturing the transition to their mathematical 1980s era. The radical shift in style, introducing Adrian Belew and Tony Levin while blending new wave with complex math-rock, sounds incredibly modern and crisp on this SHM-CD. The intricate guitar weaving of Fripp and Belew on “Frame by Frame” and the bouncy, deep pulse of Levin’s Chapman Stick on “Elephant Talk” are presented with stunning stereo separation. The Japanese mastering enhances every single electronic hit from Bill Bruford, making the album feel like a flawless geometric blueprint. A true masterpiece of musical geometry in pristine collector's quality.