Review by ChrisGoesRock
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3 Raw [SHM-CD] [Cardboard Sleeve (mini LP)]Sir Lord BaltimoreA true story about this album
Translated via Google translate: Some facts. I got in touch with John Garner via my music blog around 2002-2003. He told me that he had unreleased songs that were not on any LP. I asked him to send the songs via a burned CDR-CD. I wrote to John after listening to the songs and told him to release them officially on a CD. John was hesitant to spend money on a real CD. I managed to persuade him that the album would sell out immediately, as did this 1st press, which could only be ordered. He sent me a copy with his autograph on the cover. Then it was a 2nd pressing that came out to the record stores. You can believe my story or not. // ChrisGoesRock, Sweden
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Reap The StormWUCANWucan - "Reap The Storm" 2017
80 minutes Double LP 'Reap The Storm', also aviable on Compact Disc & and a very limited CD Edition. Francis: "With this record we took what musically developed and just became apparent on our first LP 'Sow The Wind' to the next level. 'Reap The Storm' is not just a snapshot of our own personal and emotional state at this point, but the logical follow up to all our previous work." And damn, we are excited for you to hear the outcome! This time we'll have two German songs, one of them being an acoustic ballad, one a politically/ socially critical piece and two songs longer than 15 minutes, that'll take you on an adventurous trip through the fields of Psychedelic and Progressive Rock. Plus the Heavy Flute Rock tunes that shaped our style in the past. 01. Wie Die Welt Sich Dreht 02. Ebb And Flute/ The Eternal Groove 03. Out Of Sight, Out Of MInd 04. I'm Gonna Leave You 05. The Rat Catcher 06. Falkenlied 07. Aging Ten Years in Two Seconds 08. Cosmic Guilt
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Sow The WindWUCANa must for retro music collectors
WUCAN are a young heavy retro rock band from Dresden, Germany with deep roots in the late 60s and early seventies with a dash of blues, folk, progressive and Kraut rock. This sort of time-warp music is covering the gamut from the Woodstock generation to the modern rock sound, starting with acoustic guitar, traverse flute and Hammond organ and ending at the modern rock sound of the heavy kind. However WUCAN does not imitate any artist but has developed its own individuality fitting somewhere between then and now. The band has always been able to create their own style despite their influences such as Jethro Tull, Renft, Lucifer's Friend, Birth Control and Krautrock in general. WUCAN presents changing hymns, from jamming passages to metal riffs with flutes doubled and the complete range of 70s folk rock to classical hard rock. andersmann' is a 16-minute song filled with psychedelic splashes of color and the just named influences. It is also the only song on the album sung in German. Even the powerful opener ather Storm,' the reefy and hard wl Eyes' and the melodicing Korea' bring a bright bouquet of 70s flashbacks.
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Hawkwind [Cardboard Sleeve (mini LP)] [HQCD]Hawkwind1st Album Review
Hawkwind, the self-titled debut psychedelic rock album by Hawkwind was released in 1970, originally on Liberty Records (catalogue no. LBS 83348). Pretty Things guitartist Dick Taylor, who was looking for a new venture after leaving the band, was pulled into Hawkwind playing some gigs and producing this album. After several unsuccessful attempts to capture the band's sound in the studio, it was decided simply to record it live in the studio. Produced by former Pretty Things guitarist Dick Taylor, Hawkwind's first album was rightfully compared to Pink Floyd's early sound: an appealing conglomeration of hippie rock grooves and interplanetary guitar trips set to the phosphorescent wandering of Dik Mik's electronics and Nik Turner's cool sax playing. Hawkwind may not have been their most lucrative album, but it's where it all began. Hawkwind's initial galactic blues-rock sound is based on Dave Brock's guitar playing, rising smoke-like through the haze of lyrical space funk. The two opening tracks set the tone, with "The Reason Is" sinking in nicely to the mood of both Dave Brock's and John Harrison's guitar viscosity. After this, the real Hawkwind begins to emerge, as the eight-minute "Be Yourself" is delightfully plastered with echoed vocals and comic book ominousness, putting drummer Terry Ollis in the spotlight this time. "Seeing It as You Really Are" moves hauntingly forward through the blackness of space as a constant jam, with the keyboards, saxophone, and guitar set adrift on a nonstop instrumental voyage. What begins to materialize throughout this debut album is the band's trademarked sound as a whole, with each player making their instrument effectual and authoritative from the get-go. Hawkwind's sound indeed solidified as their career moved upward through the '70s, but their first album magnificently introduces the starting point of what was going to be a long and peculiar journey.
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In Search Of Space [Cardboard Sleeve (mini LP)] [HQCD]HawkwindIn Search of Space (Gimmick Artwork)
In Search of Space strengthened Hawkwind's science fiction-type brand of progressive rock, gaining bass player Dave Anderson and galactic poet extraordinaire Rob Calvert, while losing John Harrison at the same time. The album opens with the mind-numbing galactic haze of "You Shouldn't Do That," a spooky little 15-minute excursion that warps, throbs, and swirls with Dik Mik's "audio generator" and the steady drum pace of Terry Ollis. Then comes the ominous whispering of the title, set to the pulsating waves of Dave Brock's guitar and Turner's alto sax, with Dettmar's synth work laying the foundation. Wonderfully setting the tone, "You Shouldn't Do That"'s improvisational looseness and rhythmic fusion smoothly open up the album into the realm of Hawkwind. The peculiarity never ceases, as "You Know You're Only Dreaming" and "We Took the Wrong Steps Years Ago" delves even deeper into obscurity, sometimes emanating with the familiar jangle of the guitar which then has its acquaintance overshadowed by the waft of the keyboard. Just as "Master of the Universe" chugs and rolls with a foreboding rhythm, "Adjust Me" retaliates with its moaning verse and tonal fluctuations fading into oblivion. The groundbreaking sound which Hawkwind achieved on In Search of Space helped to open up a whole new avenue of progressive rock. This album would lead to their most successful release in Space Ritual, coming two years after In Search of Space, with their interplanetary groove already set for takeoff.
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Doremi Fasol Latido [Cardboard Sleeve (mini LP)] [HQCD]HawkwindDoremi Fasol Latido
Doremi Fasol Latido is the third studio album from Hawkwind, released in 1972. Arguably the HEAVIEST rock album of all time. Hawkwind's "Doremi" succeeds both as heavy metal and spacerock in equal measure. Lemmy Kilmister's rumbling bass lines are augmented by D. Brock's fuzzed and wahhed electric guitars as thunderous drums keep the tribal beat going. Certainly, the feedback-drenched sequeway from "Brainstorm" into "Space Is Deep" qualifies as rock's most audacious song intro (-the sonic equivalent of the sky being torn in two! ). "Space Is Deep" being another strong point-combining twittering audio-generators with hamfisted acoustic guitar work. "Time We Left This World Today" could've been done by primitive Amazonian tribesmen wielding Telecasters and forests of 100-watt Marshall stacks. The song's roto-rhythmic riffs and are orgasmically entrancing. Overall a tour-de-force for the heavyhanded spacerock enthusiast. Those liking "Space Ritual" will love "Doremi" ( -the album is in-fact cited as a major inspiration for Star Tribe's music ). Play this one LOUD!
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Hall Of The Mountain [Cardboard Sleeve (mini LP)] [HQCD]HawkwindHall of the Mountain Grill 1974
With this 1974 release, Hawkwind fans got themselves a bit of a shock in the band's new sound. With the arrival of keyboardist/violinist Simon House, Hawkwind added a sweeping symphonic edge to their sonic palette and upped the musicianship a few notches in the process, but still being able to ferociously rock out as before. The addition of the swirling mellotrons and violin only enhanced the band's spacey/trippy atmospheres. The new sound was best realized on tracks like "The Psychedelic Warlords (Disappear in Smoke)", "D-Rider" and "Paradox". Hawkwind's flat-out rocking side still gets a good airing on tracks like "You'd Better Believe It" and "Lost Johnny", where good 'ol Lemmy steps up to the mike! Simon House has a beautiful solo entry in "Hall of the Mountain Grill" (the name taken from a popular London hippie restaurant). Rather conspicuous by its total absence though is Robert Calvert's sci-fi/fantasy poetry interludes between songs (at the time, Bob had to be checked into the nearest nuthouse). This is not necessarily a detriment, but it may have caused some listeners to wonder at first. Michael Moorcock would fill this gap admirably on the next album Warrior On the Edge of Time and eventually, Bob would return to the fold. Overall, the album has a clear, crisp and fittingly spacious production quality, thankfully not tipping over into an echo-drenched mush, each instrument clear and distinct. If you love space-rock, this IS an essential album for your library!
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Space Ritual [Cardboard Sleeve (mini LP)] [HQCD]HawkwindSpace Ritual Review
The Space Ritual Alive in Liverpool and London is a 1973 live double album recorded in 1972 by UK rock band Hawkwind. It is their fourth album. The album was recorded during the tour to promote their Doremi Fasol Latido album, which comprises the bulk of this set. In addition, there are new tracks (Born To Go, Upside Down and Orgone Accumulator) and the songs are interspersed by electronic and spoken pieces making this one continuous performance. Curiously, their recent hit single Silver Machine was excluded from the set, and only"Master of the Universe remains from their first two albums. The original release featured edits and overdubs, the sleeve notes explaining that We had to cut a piece out of Brainstorm and Time We Left because they were too long. Disc 1 01. Earth Calling (Robert Calvert) 1.46 02. Born To Go (Calvert, Dave Brock) 9.56 03. Down Through The Night (Brock) 6.16 04. The Awakening (Calvert) 1.32 05. Lord Of Light (Brock) 7.21 06. Black Corridor (Michael Moorcock) 1.51 07. Space Is Deep (Brock) 8.13 08. Electronic No. 1 (Dik Mik Davies, Del Dettmar) 2.26 09. Orgone Accumulator (Calvert,Brock) 9.59 10. Upside Down (Brock) 2.43 11. 10 Seconds Of Forever (Calvert) 2.05 12. Brainstorm (Turner) 9.20 Disc 2 13. 7 By 7 (Brock) 6.13 14. Sonic Attack (Moorcock) 2.54 15. Time We Left This World Today (Brock) 5.47 16. Master Of The Universe (Nik Turner, Brock) 7.37 17. Welcome To The Future (Calvert) 2.03 Bonus tracks 18. You Shouldn't Do That (Turner, Brock) / Seeing It As You Really Are [unlisted] (Brock) 6.55 19. Master Of The Universe (Turner, Brock) 7.26 20. Born To Go (Calvert, Brock) 13.04
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[Encore Pressing] Please Please Me [Cardboard Sleeve (mini LP)] [SHM-CD] [Limited Release]The BeatlesBig Plus For Printed Gold Label
A big plus for the CD label who has the 1st edition printed gold label and also have original innersleeve + "flipback" cover as the original issues. All The Beatles stereo albums has a thick informative colour book who is placed outside The Mini LP on back. I say: Very well done to Universal Japan Records who released these albums. //Christer Andersson, Huddinge Hill, Sweden
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STRAY DOG [7-inch Cardboard Sleeve (mini LP)] [Platinum SHM-CD] [Limited Release]Stray DogFull Tracklist incl. Live Bonus
01. Tramp (How it Is) 06:53 02. Crazy 05:13 03. A Letter 03:56 04. Chevrolet 03:54 05. Speak of The Devil 03:56 06. Slave 06:16 07. Rocky Mountain Suite (Bad Road) 08:30 Bonus Tracks Live: 08. Crazy (Live at Reading rehearsal, London '73) 05:40 09. The Journey (Live at Reading rehearsal, London '73) 14.02 10. Eric Takes A Walk (Live at Reading rehearsal, London '73) 01:46 11. Rocky Mountain Suite (Bad Road) (Live At Reading rehearsal, London '73) 09:44 12. Tramp (How it Is) (Live in Rome, Italy '73) 07:12 13. Dogs Blues Incl. Guitr Solo (Live in Rome, Italy '73) 01:39
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The Hour Glass [Cardboard Sleeve (mini LP)] [SHM-CD] [Limited Release]Hour GlassThe Hour Glass - 1st Album US 1967
Hour Glass was the debut album by the group of the same name, issued in October 1967 on Liberty Records, the first of two by the group that featured the namesakes of The Allman Brothers Band. The album was recorded by a group saddled by a producer unable to quite realize the group's potential. Dallas Smith, a formulaic producer noted for his work with Bobby Vee, knew the group was from the South. He knew they had formed from the ashes of groups that had performed liberal amounts of blues covers. And he heard soulful qualities in the voice of nineteen-year-old Gregg Allman. Therefore, he referred to them as a "Motown band", much to the chagrin of the group. The Hour Glass was recorded with an emphasis on lead vocalist Gregg Allman's voice and dispensing with nearly all original material. Of the eleven tracks on the original LP, only one was penned by a group member, Gregg Allman's "Got To Get Away". The remaining ten were written by songwriters running the gamut from Curtis Mayfield and Jackson Browne to Del Shannon and the Goffin-King team. The Hour Glass performed the basic tracks, which were overdubbed by Smith with layers of vocals and instrumentation. The album was a failure in both sales terms and in properly showcasing the group. On the follow-up, 1968's Power of Love, the group would be given a bigger role in the making of the album.
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Power Of Love [Cardboard Sleeve (mini LP)] [SHM-CD] [Limited Release]Hour GlassThe Hour Glass - Power of Love (US 1968)
The Hour Glass were a 1960s rhythm and blues band based in Los Angeles, California between 1967 and 1968. Among their members were two future members of the Allman Brothers Band (Duane Allman and his brother Gregg) and three future studio musicians at the world-renowned Fame Studios in Muscle Shoals, Alabama (Pete Carr, Johnny Sandlin and Paul Hornsby). Power of Love was the second studio album by Hour Glass, issued in March 1968 on Liberty Records, the final by the group with the namesakes of The Allman Brothers Band. After the failure of their first album, Liberty Records allowed a greater independence for the group, who had been virtually shut out of the decision making for their first album by the label and producer Dallas Smith. However, with the label's decision to retain Smith as producer, the group, especially Duane Allman, once again felt constricted by their label's expectations for the album. With Smith behind the boards, Gregg Allman was still the focus. The younger Allman, who had seen only one of his compositions on the previous album, contributed seven of the twelve tracks. The remainder were two from Marlon Greene and Eddie Hinton and one each from the teams of Spooner Oldham and Dan Penn, John Berry and Don Covay, and John Lennon and Paul McCartney. The group performed all of the instrumentation, with Duane Allman adding electric sitar to their cover of The Beatles' "Norwegian Wood (This Bird Has Flown)", a staple of their live act. Neil Young of Buffalo Springfield wrote the liner notes, describing his experience sitting in on the session for the album track "To Things Before", watching Gregg Allman leading the group through the number. After the failure of the album to enter the chart, the Hour Glass traveled to Fame Studios in Muscle Shoals, Alabama, in an attempt to further refine their sound. However, Dallas Smith and Liberty Records were displeased with the group-produced blues-fueled rock tracks that the group returned to Los Angeles with, as they were light years away from the pop music Smith envisioned them performing. Additionally, seeing himself cut out of the group's picture was not ideal for Smith, even if his relations with the group had been strained.
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Tomorrow +13 [Cardboard Sleeve (mini LP)] [SHM-CD] [Limited Release]TomorrowTomorrow - S/T Columbia UK 1968
In the early days of British psychedelia, three bands were consistently cited as first-generation figureheads of the London-based underground sound: Pink Floyd, the Soft Machine, and Tomorrow. Pink Floyd became superstars and the Soft Machine influential cult legends, but Tomorrow is mostly remembered (if at all) for featuring Steve Howe as their lead guitarist in his pre-Yes days. Actually, Tomorrow was nearly the equal of the two more celebrated outfits. Along with the early Floyd and Soft Machine, they shared a propensity for flower-power whimsy. Though they were less recklessly innovative and imaginative, their songwriting was accomplished, with adroit harmonies, psychedelic guitar work, and adventurous structures and tempo changes. They never succumbed to mindless indulgence or jamming; indeed, their tracks were rather short and tightly woven in comparison with most psychedelic bands. A couple singles (especially "My White Bicycle") were underground favorites, but the group only managed to record one album before breaking up in 1968. Lead singer Keith West, even before the breakup, had a number two British hit with "Excerpt From a Teenage Opera," which helped inspire Pete Townshend's Tommy. Drummer Twink joined the Pretty Things and, later, the Pink Fairies. 01. My White Bicycle 02. Colonel Brown 03. Real Life Permanent Dream 04. Shy Boy 05. Revolution 06. The Incredible Journey Of Timothy Chase 07. Auntie Mary's Dress Shop 08. Strawberry Fields Forever 09. Three Jolly Little Dwarfs 10. Now Your Time Has Come 11. Hallucinations 12. Claramount Lake 13. Real Life Permanent Dream (Alternate Version) 14. Why 15. Revolution (Phased Mono Version) 16. Now Your Time Has Gone (Mono) 17. 10,000 Words In A Cardboard Box - Aquarian Age 18. Good Wizzard Meets Naughty Wizzard - Aquarian Age 19. Me - ZION DE GALLIER 20. On A Saturday - Keith West 21. The Kid Was A Killer - Keith West 22. She - Keith West 23. The Visit - Keith West
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Blues Helping [Cardboard Sleeve (mini LP)] [Limited Release]Love SculptureLove Sculpture - Blues Helping (UK 1968)
Love Sculpture were a Welsh blues-rock band of the late 1960s, led by Dave Edmunds (born David Edmunds, 15 April 1944, Cardiff, Glamorgan, South Wales), plus bassist John Williams (born John David Williams, 19 January 1946, Cardiff, South Wales) and drummer Rob 'Congo' Jones (born Robert Jones, 13 August 1946, Barry, Glamorgan, South Wales). Love Sculpture formed in Cardiff in 1966 out of the remnants of another local band called The Human Beans, and disbanded in 1970, although Edmunds went on to enjoy solo success in the 1970s. The band itself was essentially a showpiece for Edmunds' considerable technical ability on the guitar. Love Sculpture mostly performed blues standards, slightly revved-up, but still largely reverent to the originals, releasing their debut album, Blues Helping with such songs as Summertime, Wang Dang Doodle etc. They are best known for their 1968 novelty hit in the UK Singles Chart, a high speed cover version of the classical piece "Sabre Dance", by Aram Khachaturian, released on the Parlophone label (R 5744). The recording was inspired by Keith Emerson's classical rearrangements. Sabre Dance became a hit after garnering the enthusiastic attention of British DJ John Peel. In December 1968, the UK music magazine, NME, reported that Love Sculpture had signed a U.S. recording contract with London Records, guaranteeing 250,000 pound. The band were also given an invitation to perform "Sabre Dance" live, on the German Beat-Club television programme of Radio Bremen, being broadcast in monochrome at that time. 01. The Stumble (King, Thompson) 02. 3 O'Clock Blues (King, Taub) 03. I Believe to My Soul (Charles, Learner) 04. So Unkind (Sehorn) 05. Summertime (Gershwin, Gershwin, Heyward) 06. On The Road Again (Jones, Wilson) 07. Don't Answer the Door (Johnson) 08. Wang Dang Doodle (Dixon) 09. Come Back Baby (Charles) 10. Shake Your Hips (Moore) 11. Blues Helping (Edmunds, Jones, Williams)
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5 [Cardboard Sleeve (mini LP)] [SHM-CD]SpirogyraSPIROGYRA - 5 (When The Cock Crows) 2014
Spirogyra who left the masterpiece of progressive / acid folk of three in the early '70s . Is re- formed in the 21st century , this time , and a new song , fifth album , which is a limited release in only LP in '11 continued , " Children's Earth ('09) " to be , and improvement take the LP song in addition , and a CD release and the definitive specific content! A new masterpiece of delicate acid - folk to touch the heartstrings of people , appeared spread paper jacket , remastered , in the SHM-CD! Tracks 01. Wanderer (Nomad) 2:58 02. Love Roll Me Over (Love Roll Me Over) 3:21 03. ( Swan purple ) Rainbow Emperor (Rainbow Emperor [Purple Swan]) 4:49 04. Fairy King (Faery King) 4:48 05. Everybody Get The Freedom ( It's Tran Shen Dental That ) (Everybody Get the Freedom [It's Transcendental That]) 2:29 06 . Tolling bell (Tolling Bell) 3:26 07. Marching To The Love Revolution (Marching to the Love Revolution) 2:37 08. Y's Men Say Krishna (Wise Men Say Krishna) 2:58 09 . Lonely Toruvu~adoru (I Saw a Lonesome Troubadour) 4:03 10 . Move on (Move On) 3:46 11 . Turning on the Earth (Turning on the Earth) 2:53 12. I'm Mariingu Myself In The Early Spring (I'm Marrying Myself in the Early Spring) 2:47 13. Come What May (Come What May) 4:16 14. Shichizunsu - Ovu the Earth ( Love Will Come Down ) (Citizens of the Earth [Love Will Come Down]) 4:54 15. Children's Earth ( Tell Me , Tell Me , Tell Me ) (Children's Earth [Tell Me Tell Me Tell Me]) 3:40 16. Music Bam (Music Bum) 5:32 17. Hey , I ship - Song of the Prophet (Ship Ahoy - A Seer's Song) 5:02
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A Long Time Comin' [Cardboard Sleeve (mini LP)] [Limited Edition] [Blu-spec CD2]The Electric FlagA Long Time Comin' (US 1968)
Recorded July 1967 to January 1968. A Long Time Comin' is the first album by American rock band The Electric Flag, released in 1968. The meat of the album is soul along with blues and rock with a horn section. It is widely seen as an ambitious debut album by music critics. 01. "Killing Floor" (Chester "Howlin' Wolf" Burnett) 4:11 02. "Groovin' Is Easy" (Nick Gravenites) 3:06 03. "Over-Lovin' You" (Mike Bloomfield, Barry Goldberg) 2:12 04. "She Should Have Just" (Ron Polte) 5:03 05. "Wine" (Traditional) 3:15 06. "Texas" (Mike Bloomfield, Buddy Miles) 4:49 07. "Sittin' in Circles" (Barry Goldberg) 3:54 08. "You Don't Realize" (Mike Bloomfield) 4:56 09. "Another Country" (Ron Polte) 8:47 10. "Easy Rider" (Mike Bloomfield) 0:53 Bonus Tracks: 11. "Sunny" (Bobby Hebb) 4:02 12. "Mystery" (Buddy Miles) 2:56 13. "Look into My Eyes" (Harvey Brooks, Buddy Miles) 3:07 14. "Going Down Slow" (James Oden) 4:43
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Super Session [Cardboard Sleeve (mini LP)] [Limited Edition] [Blu-spec CD2]Mike Bloomfield, Al Kooper, Stephen StillsSuper Session US July 22, 1968
Super Session is an album conceived by Al Kooper and featuring the work of guitarists Mike Bloomfield and Stephen Stills, released on Columbia Records in 1968, CS 9701. Bloomfield and Stills do not play together on the album, with tracks including Bloomfield on side one, and those including Stills on side two. 01. "Albert's Shuffle" Al Kooper, Mike Bloomfield 6:54 02. "Stop" Jerry Ragovoy, Mort Shuman 4:23 03. "Man's Temptation" Curtis Mayfield 3:24 04. "His Holy Modal Majesty" Al Kooper, Mike Bloomfield 9:16 05. "Really" Al Kooper, Mike Bloomfield 5:30 06. "It Takes A Lot to Laugh, It Takes A Train to Cry" Bob Dylan 3:30 07. "Season of the Witch" Donovan Leitch 11:07 08. "You Don't Love Me" Willie Cobbs 4:11 09. "Harvey's Tune" Harvey Brooks 2:07 Bonus Tracks: 10. "Albert's Shuffle" (remix without horns) Al Kooper, Mike Bloomfield 6:58 11. "Season of the Witch" (remix without horns) Donovan Leitch 11:07 12. "Blues for Nothing" (outtake) Al Kooper 4:15 13. "Fat Grey Cloud" (in concert at the Fillmore West) Al Kooper, Mike Bloomfield 4:38
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The Live Adventures Of Mike Bloomfield And Al Kooper [Cardboard Sleeve (mini LP)] [Limited Edition] [Blu-spec CD2]Al Kooper & Mike BloomfieldRecorded September 26th-28th 1968
Released 1969. The Live Adventures of Mike Bloomfield and Al Kooper is a double album recorded at the Fillmore West venue, the album is a successor to the studio album Super Session which included both Bloomfield and Kooper in addition to Stephen Stills, and had achieved commercial and critical success earlier in 1968. The performances, recordings and production cannot be described as flawless; in his sleeve notes, Kooper describes the difficulties of finding rehearsal space, Bloomfield's insomnia, and the failure of a vocal microphone during "Dear Mr Fantasy"; the track "I Wonder Who" is faded during a Bloomfield solo for no apparent reason. Nevertheless, the album remains an important, if raw, document of a live blues-rock performance of the period and apart from its intrinsic qualities is notable for not only one of the earliest live recordings by Carlos Santana, but also Bloomfield's debut as a vocalist. Whilst he is not historically noted in this role, in "Don't Throw Your Love On Me So Strong", according to Kooper, "he displays consummate homage to the traditional guitar-voice trade-offs; a lesson in phrasing and understanding." 01. "Opening Speech" (Mike Bloomfield) 1:30 "One-two..Uh, listen here now, here's what...here's where it's at, this is the thing of this gig and here's...I'll tell ya 'bout it now. Uh, awhile ago my friend Alan Kooper called me on the phone and said "Let's make this gig, an Lp in Los Angeles, and we'll jam together and we'll see what will happen. . . 02. "The 59th Street Bridge Song (Feelin' Groovy)" (Paul Simon) 5:38 03. "I Wonder Who" (Ray Charles) 6:04 04. "Her Holy Modal Highness" (Al Kooper, Mike Bloomfield) 9:08 05. "The Weight" (Robbie Robertson) 4:00 06. "Mary Ann" (Ray Charles) 5:19 07. "Together 'Til The End Of Time" (Frank Wilson) 4:15 09. "That's All Right" (Arthur Crudup) 3:28 10. "Green Onions" (Booker T. Jones, Steve Cropper, Al Jackson, Jr., Lewie Steinberg) 5:26 11. "Opening Speech" (Al Kooper) 1:28 12. "Sonny Boy Williamson" (Jack Bruce, Paul Jones) 6:04 13. "No More Lonely Nights" (Sonny Boy Williamson I) 12:27 14. "Dear Mr. Fantasy" (Jim Capaldi, Stevie Winwood, Chris Wood) 8:04 15. "Don't Throw Your Love On Me So Strong" (Albert King) 10:56 16. "Finale-Refugee" (Al Kooper, Mike Bloomfield) 2:04
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Blue Jeans A' Swingings [Cardboard Sleeve (mini LP)] [SHM-CD] [Limited Release]The Swinging Blue JeansTracklist 1963-65 for this album
[Track List] (translated by "Google Translate from japanese to english) 01. All Man Moses (Mono) 02. Last Dance (Mono) 03. That's The Way It Goes (Mono) 04. Around and Around (Mono) 05. It's All Over Now (Mono) 06. Long Tall Sally (Mono) 07. Roddy Miss Kurodi (Mono) 08. Sam Sweet Day (Mono) 09. It's So Light (Mono) 10. A Groovy Kind of Love (Mono) 11. All I Want Is You (Mono) 12. Tutti Fruity (Mono) 13. It's Too Late Now (Mono) * 14. Think Of Me (Mono) * 15. Doe You Know (Mono) * 16. Angie (Mono) * 17. Hippy Hippy Shake (Mono) * 18. Now's eye Must Go (Mono) * 19. Westinghouse Time (Mono) * 20. Good Golly Miss Molly (Mono) * 21. Shakin Feeling (Mono) * 22. Shakin's All Over (Mono) * 23. Shake Rattle And Roll (Mono) * 24. You're No Good (Mono) * 25. Do not You Worry About Me (Mono) * 26. Promise of love (Mono) * 27. not It Be There (Mono) * 28. One of Gees Days (Mono) * 29. Mine kun (Mono) * 30. I've Got A Girl (Mono) * 31. Crazy 'Bout My Baby (Mono) * 32. Good Lovin '(Mono) * * Bonus tracks
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BBC SESSIONS 1969-1970 [Cardboard Sleeve (mini LP)] [Blu-spec CD]YESYes - Something's Coming 1969-70
Disc 1 (Tracks 1-5 Top Gear 1/12/69, track 6 Dave Symonds Show 8/4/69, track 7-8 Dave Lee Travis Show 1/19/70, track 9 German radio) Disc 2 (Tracks 1-5 Sunday Show 3/17/70, track 6 Johnny Walker 6/14/69, tracks 7-8 Top Gear 2/23/69, track 9 French radio) Disc one 01. "Something's Coming" Leonard Bernstein/Stephen Sondheim 7:38 02. "Everydays" Stephen Stills 5:12 03. "Sweetness" Jon Anderson/Clive Bailey/Chris Squire 4:14 04. "Dea Father" Anderson/Squire 5:33 05. "Every Little Thing" Lennon–McCartney 5:31 06. "Looking Around" Anderson/Squire 3:40 07. "Sweet Dreams" Anderson/David Foster 3:26 08. "Then" Anderson 4:19 09. "No Opportunity Necessary, No Experience Needed" Richie Havens 4:18 Disc two 01. "Astral Traveller" Anderson 6:01 02. "Then" Anderson 5:15 03. "Every Little Thing" Lennon–McCartney 6:49 04. "Everydays" Stills 6:06 05. "For Everyone" Anderson/Squire 4:35 06. "Sweetness" Anderson/Bailey/Squire 5:16 07. "Something's Coming" Bernstein/Sondheim 7:58 08. "Sweet Dreams" Anderson/Foster 4:14 09. "Beyond & Before" Squire/Bailey 5:28