[Machine Translation] This is the third album by Hikari Togawa's solo project "Nanabit," following her first album "Desk Empty Theory," which made full use of consumer digital synths from the 1980s, and her previous album "Monaural Archive," which made full use of retro samplers and unified the entire album with monaural sound. The Roland SC-88 Pro, the only equipment used by Togawa on this album, is a famous machine that is also known as a favorite of Rei Harakami. Togawa has drawn out the full potential of this machine to create a unique and versatile set of pop songs.