[Machine Translation] Paris, 1978. On the eve of the explosion of electro music's worldwide popularity. The music of the future is just around the corner! Alma Jodorowsky, the star of the film, reaches out her hand to grasp a new sound, and the charm of this youthful music film is unleashed! Directed by Mark Collin, whose music unit "Nouvelle Vague" is popular in Japan. --1978, Paris. Anna, a young musician, is composing a song for a commercial using a synthesizer she has been given a room to use, but she is unable to write a satisfactory song. The deadline promised to the producer had already passed, and the person in charge of the song had to rush her several times to submit it to the client tomorrow morning. But then, his synthesizer equipment broke down and he had to call for repairs. However, Anna is fascinated by the Japanese rhythm machine (ROLAND CR-78) owned by the technician who came to repair it, and asks him to lend it to her, saying, "With this, I can create amazing songs. Then Clara, a singer who had been asked to record a song for a commercial, appears, and as they talk, an idea strikes them, and they begin to improvise a song. Can Ana complete her future music before tonight's party, which is expected to be attended by a big-name producer?