[Machine Translation] In Tokyo, 2021, I had the rare opportunity to DJ a show featuring only Haliku Yamaku's music. Normally, I carry a decent amount of equipment such as effectors and mixers to do live dub mixes, but here it was a DJ set. However, I thought it would be uninteresting for me as a DJ to play only songs that I had once completed in my mind, regardless of whether they had been released or not. So, during the two days leading up to the flight, I recorded dub mixes of various songs, burned them onto CD-Rs, and brought them with me. After returning to Okinawa, I listened to the CD-R again and found it to be rough in many ways, but I thought it was good, including the roughness. I decided to distribute it. That is "Island DUBPLATE for Tokyo 2021". Then, the years passed by, and it was 2024. And then, in 2024, we received a proposal to make a record of it. That's great! It's great, but there are some songs that are not good enough to be made into a record. The distribution and the record are different. I chose songs from the CD-R and overdubbed A2 "Ayahaberu" with a flute solo by my friend MAKI TAFARI, A4 "Turubaimun" with AKANMIMAN's toasting. B1 " Kuduchi Behshi" was overdubbed with noise and synths with spring reverb. A3 " Pacific Dub " is a remix of Yoshimichi Ishigaki's " Key Stone ", which I personally think is one of the best reggae songs in Okinawa's history. Dub Season" is a dub mix of "Shiki Kuchisetsu", a collaboration with Yukino Inamine, another ally.