[Machine Translation] mama!milk's spiritedness and "Iki" opportunity-filled duologue is a heart-stopping experience. Their first album "abundant abandon" was released in September 1999, and in April 2013, mama!milk recorded their eighth album in Kyoto, their hometown, for the first time alone. Listening to this album, the current image of mama!milk emerges, which depicts the decade that has passed since their first album as a circle. The repertoire from their previous albums is newly recorded with only double bass and accordion. No dubbing was used, and the raw sound was created by utilizing the acoustics of one of the rooms at flowing Karasuma, a renovated former bank built in 1916. In a sense, it is a best-of album, a collection of representative songs that seems to be a compilation of their career to date. The album contains 22 songs, which sounds like a punk band's album. The album is composed of four parts, with old and new songs arranged like a suite. The album seems to be a compilation of their career to date, but it unmistakably reflects the current mama! The album is both solid and graceful, with the author himself finally performing solo on Gala de Caras, ao, An ode, Sometime Sweet, and two variations of Parade, a song that has been performed live in recent years but never recorded in its two-person version.