[Machine Translation] A certain Japanese musician self-published a fantastic and unorthodox synth work in 1984, and now it has finally been officially reissued! An explosion of outsider DIY spirit of a Japanese who was exposed to the avant-garde movement in New York in the early 80's. This ultra-lo-fi early impulsive quest that embodies purity and humanity with only a single synth and voice, shakes the inner "human" DNA in this age of cynicism. This is the myth of our time. It is a myth of our time. Inspired by the various avant-garde movements of the time, such as music, painting, and performance, as well as the locally produced, locally consumed energy of New York in the 1980s, this is a self-produced LP by Yasuhito Ohno, a young Japanese man who stayed in New York in the early 1980s and was freed from the bonds of his homeland. Ohno poured his youthful "edge" into an open-ended exploration of lo-fi music, using only two pieces of equipment (a 4-track multi-recorder and a polyphonic synthesizer masterpiece, the Roland Juno-60) and his own voice. The whole thing pours out in an unbridled charm. The whole thing is full of unbridled fascination, an openness of the raw, fresh human spirit to play in new worlds, inspired by the human possibilities of DNA research, personal computing, early computer graphics, and other technological developments of the time in general, Some of the songs on this album were used as background music for early CG demo videos, and the jacket of this album is early CG art. Although he later became a professional musician in Japan, this work is a document of the beginnings of an artist's authorship before he honed his skills of expression, and its bare innocence in its extreme state approaches us like a myth before it was tamed by Western rationalism. In an age of rampant cynicism, this is a unique work that revives a generous innocence and the true self. Yasuhito Ohno's contribution in the liner is a masterful piece of writing, which asks sharply what we have lost!