[Machine Translation] The legendary "Death Crimson" is well known among game enthusiasts, and since its release on the Sega Saturn in 1996, its absurd content has slowly spread and become a cult. The game has spawned such unintelligible buzzwords as "Since we're here," "It's coming from above," and many fans have made pilgrimages to the game's character modeling and holy places, and the game is still revered as "Death Lord" and "Death Emperor. However, its background music has been legitimately evaluated as progressive rock and exotic music since that time. The composer himself has now broken the seal of 22 years and transplanted the sound data from the time of production to the latest environment. The composer himself has now broken the seal of 22 years and transplanted the sound data from the time of production to the latest environment, adding previously unreleased songs and newly written songs to create a complete Death Crimson revival for the 21st century! The album includes the gamelan techno "Death Mask," "Moolah," a bebop-jazz version of the progressive rock classic "Tarkas," "Main Theme," a tribute to the "21st Century Skizoid Man," "Red Door," also known as "Theme for the sake of it," which was also covered by the orchestra, "The Crimson King's Palace," and "The Crimson King's Palace," a Celtic tune that was also covered by the orchestra. The bonus track "The Palace of the Crimson Death," a mellotron-filled answer song to "The Palace of the Crimson King," and more. Recommended not only for progressive rock fans, but also for techno and world music lovers! Kunitaka Watanabe, keyboardist of the rock band "Sansuikan," known as a multi-keyboard performer and arranger, composed all the music, wrote the lyrics, performed, and produced this album.