[Machine Translation] This is the second solo album by Ryoko Konno. It consists of works that explore the boundaries of both improvisation and composition, with Taro Tatsumaki on drums, all recorded and mixed by Ryoko Kono herself, and multiple recordings of her saxophone made over a period of two and a half years. The number of tracks created by this meticulous and delicate work exceeded 2,000 at the very limit of the number of tracks that could be physically pressed onto a CD disc, which was set at 99. The order of the tracks is an important factor in determining the overall impression of the album, and of course we want the listener to listen to the album in the order of the tracks on the disc, but for this album, we dared to adopt the method of "leaving the order of the tracks to the listener (and his/her environment)". The 99 songs on the album seem unrelated, but in fact they are connected, and by shuffling the songs, we aim to create the effect that no one will ever listen to the same composition twice, and to create the illusion that the total recording time for the listener is from pressing the play button to pressing the stop button. We hope you will experience the change in composition and impression each time you listen to it.