[Machine Translation] The existence of the virtuoso viola players Primrose and Tartis is probably the reason why so many works for the viola were created in England in the 20th century. Turtis, in particular, loved the sound of the viola, which was a relatively "humble instrument," and deliberately built a larger instrument. He is known for his warm and rich tone. The four works on this album were all composed for Tartis, but the Walton Concerto was too modern for his taste, and Hindemith ended up being the soloist at the premiere. Although the work is certainly modern, the lyricism of the first movement and the third movement with its impressive folk-like melody are very accessible, and Tartis later recognized the true value of the work and added it to his own repertoire. The other three works also make full use of the charm of the viola: Vaughan Williams' "Suite" with its simple atmosphere, Howells' "Elegy" with its mournful beauty, and Bowen's "Concerto" with its long cadenza in the last movement. [Performers] Helen Carus (Viola: 1, 3, 4), Vesa-Matti Leppanen (1st Violin: 2), David Gilling (2nd Violin: 2), Vivjan Jendl (Viola: 2), David Chickering (Cello: 2), New Zealand Symphony Orchestra. Mark Taddy ( Conductor )