[Machine Translation] [The ninth edition of Mahler's complete symphonies is the culmination of the collaboration between Zinman and the Zurich Tonhalle, the famous duo that built a worldwide reputation with Beethoven's complete symphonies. Unlike the wildly ambitious Eighth Symphony for a Thousand Persons and the originality of the unnumbered Song of the Earth with two solo voices, the Ninth is a symphony for pure instrumental music in four movements. The first movement is a long one that dramatically depicts nostalgia for life and fear of death, the second movement is a runaway mixture of Lentler and waltz, which are local dances, the third movement is a wild burlesque, and the fourth movement, after singing all the songs of attachment to life, fades away "as if dying," revealing more of his feelings than in his previous works. The fourth movement is characterized by a style that seems to reveal more of one's own feelings than in previous works. Since Walter's live recording before World War II, Barbirolli, Bernstein, Giulini, Tennstedt, and others have made numerous unique recordings of deeply absorbed interpretations of the work. Zinman, on the other hand, has succeeded Klemperer's objectivity and Karajan's materialism, and has achieved a musical interpretation that has never been heard before.