[Machine Translation] Surprisingly, since his debut, Suzumoku has vigorously released singles, mini-albums, and concept albums, but this is his first full-length album. The songs on this album depict Suzumoku's view of society from various angles, with M1 "Montage" being particularly impressive with its thick, raspy voice. The electric guitar, which is more distorted than in any of his previous songs, and the large scale of the chorus strongly encourage everyone's emotions, and the world of the song is clearly projected in the mind of the listener as a visual image. The images are sure to bring tears to some people's eyes, while others are sure to cause them to reflect on themselves. The most important characteristic of this song's world is that it depicts a mental world that no one can be a bystander to, and yet the narrative is very concrete. M7 "Blue Blue" expresses a secret hope, singing about the blue feeling of loneliness and helplessness in a world where one does not know where tomorrow will bring, and M12 "Riera" is the first love song since the release of "Focus" in 2010. M12 "Riera", a love song since the release of "Focus" in 2010. M9 "Serious Man", a cheer-up song for anxious times, and M2 "Chrysalis", a smash hit, were also released as singles. M10 "Midnight Parking Lot", a message to young people living through modern society. M8 "What's wrong with Japan", which has been well received at live performances, has finally been made into a soundtrack, and is a song that does not hide its true feelings. The title of the album, "Cubism" is an artistic expression that captures the shapes of things seen from various angles on a single screen. Cubism is a way of thinking, a way of thinking, and a way of perceiving.