Band Yamero

[Machine Translation] Since the release of their 1st Mini Album "Sotsugyo Seisaku" in July 2010, they have performed at major festivals such as "ROCK IN JAPAN" and "COUNTDOWN JAPAN", and their 2nd Mini Album "Premenstrual Syndrome ~PMS~" in January 2011 was a smash hit. After the release of their second mini album "Premenstrual Syndrome ~PMS~" in January last year, Madonna Japan has established itself as "the most talked about and most anticipated girls' band in Japan today". With an average age of only 20 years old, their cute looks and unimaginable rebellious spirit, as well as their extremely painful and realistic cries, are sure to grab the hearts of rock fans and not let them go. This third album is a further evolution of the traditional Japanese Madonna style, with a clearer and more precise stance in their attack on society. It can be said that this is the Japan Madonna that has rightfully awakened. The energetic exuberance of the title track, "Band Ya Ya Stop," is a masterpiece that will become a representative song of Nihon Madonna in the future, "Ai Dolu," which raises questions about the nature of the current idol boom, "Media Dance," which sounds an alarm about the deceptiveness of the media, "I Feel Relieved When You Tell Me to Die," which approaches the roots of humanity, "Michiro Endo's Fierceness," and "Odyssey," which is a cover of "Michiro Endo's Fierceness. The eight songs in the album are based around a rough garage sound, but after listening to them, you will be impressed by the variety of the songs, such as "Odyssey 1985 - SEX," a cover song, "Blood, Bones and Flesh," a jumping jack flash in the Japanese Madonna style, and "This is the only thing I have," the best ballad ever written by Madonna. The album is an ideal rock album, with a rough garage sound at its core, but with a rich variety of impressions when you finish listening to it. A masterpiece that foreshadows the arrival of the Japanese Madonna era!

2010年7月に1st Mini Album「卒業制作」をリリースして以来、「ROCK IN JAPAN」や「COUNTDOWN JAPAN」等の大型フェスへの出演、そしてスマッシュヒットを記録した昨年1月の2nd Mini Album「月経前症候群～PMS～」リリースを経て「今、最も話題性があり、最も期待感を持たれているガールズBAND」の地位を確立したと言える日本マドンナ。平均年齢若干20歳という若さと、そのキュートなルックスからは想像もつかない剥き出しの反骨精神と、なおかつ痛快極まりないリアリティのある叫びはロックファンの心を確実に鷲掴みにして離さない。そして3枚目となる今作は従来の日本マドンナ節がさらに進化し、社会に対する攻撃の姿勢がより明確かつ的確になってきている。正しく覚醒した日本マドンナと言えるでしょう。タイトル曲「バンドやめろ」のエネルギッシュな高揚感は今後日本マドンナの代表曲となるであろう名曲、アイドルブームの昨今の本質をエグる「愛ドル」、メディアの欺瞞性に警笛を鳴らす「メディアダンス」、人間の根源に迫る「死ねと言われて安心した」、「遠藤ミチロウの激烈カバー曲「オデッセイ・1985・SEX」、日本マドンナ流ジャンピンジャックフラッシュと言える「どうせ血と骨と肉のかたまり」、日本マドンナ史上最高のバラード「これしかないのに」といったように全8曲、荒々しいガレージサウンドを軸にしながらも聴き終えるとバラエティに富んだ印象を持つというロックの理想的なアルバムとなっています。日本マドンナの時代の到来を予感させる傑作!