Bach: Herz und Mund und Tat und Leben, Mozart: Turkish March, Beethoven: Moonlight Sonata [SACD Hybrid]

[Machine Translation] The latest recording by French romantic pianist Luisada is an album that combines the masterpieces of the classical repertoire of Bach, Mozart, and Beethoven, which Luisada has been developing for a long time. All of them are works that Luisada has continued to play and interpret for a long time during his career as a pianist, and the recordings include works that he has performed as encores at concerts and for which there have been many requests for recordings. The way in which he transforms the fantasies that well up from the music into reality is a wonder to behold, and the way in which he is able to make them come true is a true wonder to behold. The exquisite sonority of "O Lord, Joy of Man's Desiring" and "French Suite No. 5," the free agogic of "Turkish March," and the romantic submergence of Beethoven's "Moonlight Sonata," "For Elise," and "Moonlight" are all performances like nothing you have ever heard before. The final piece, "Elegy," a short piece reminiscent of Tristan, is said to be Wagner's last work, and was used strikingly in the movie "Ludwig.

フランスのロマン派ピアニスト、ルイサダの最新録音は、ルイサダが長らく温めてきた、バッハ、モーツァルト、ベートーヴェンという古典派レパートリーの名作を組み合わせたアルバム。いずれもルイサダがピアニストとしての経歴の中で長らく弾き続け解釈を練り上げた作品ばかりであり、演奏会のアンコールなどで取り上げて特に録音の要望が高かった作品を収録している。フランス随一の個性派ピアニストだけに、音楽から湧き上がるファンタジーを変幻自在に具現化してゆくさまは驚きの一言。「主よ、人の望みの喜びよ」「フランス組曲第5番」での極美のソノリティ、「トルコ行進曲」の自在なアゴーギク、ベートーヴェン「月光ソナタ」「エリーゼのために」「月の光」でのロマンティックな沈潜ぶりなど、これまで聴いたことのないような演奏ばかり。最後に収められた「エレジー」はトリスタンを思わせる響きの小曲でワーグナー最後の作とされ、映画「ルートヴィヒ」で印象的に使われていた。